parties

At Record-Breaking Final Festari Fash Bash, Athletes and Other Notables Strut Runway for Charity

At Record-Breaking Final Festari Fash Bash, Athletes and Other Notables Strut Runway for Charity

Houston Texans Garret Wallow and Jonathan Owens

ONE OF THE hottest tickets on the fall social calendars for 25 years — Debbie and Rudy Festari’s “Una Notte in Italia,” both a boisterous dance-party gala and a men’s fashion show featuring pro athletes and other notable gents from the community — has come and gone for the last time.

The Festaris, owners of the men’s boutique Festari for Men, announced that this year’s event at the Omni, attended by nearly 600 people and raising a record-breaking $540,000 for Children at Risk, would be the last. So they went out with a bang!

“The ballroom was beautifully decorated in silver and green with roman-styled décor, including framed photos of Michaelangelo's statue of David on stage,” noted a rep for gala organizers. “Then beautiful and beloved emcee Dominique Sachse got the event started, and the philanthropic men and athletes took to the runway.”

Models for the night included doctors Matthew Brams, Al Lindseth, Courtney El-Zokm and Roland Maldonado with Kayvon Sohrabi; attorneys Mo Aziz, Travis Torrence and James Lassiter; businessmen Pete Bell, Pablo Delgado, Matthew Hurley, Robert Bailey and Ajay Khurana with son, Shaan. Donald Bowers and journalist Steven Devadum were also on hand, as were athletes like former Houston Dynamo star Brian Ching, Houston Sabercats rugby star Gerrie Labuschagne, Houston Rockets GM Rafael Stone along with son, Gerard, and Houston Texans Jonathan Owens, Austin Deculus and Garret Wallow. At the end, “handsome clothier Rudy Festari took his final walk on stage to a standing ovation,” noted the gala rep.

The highlight of auctioneer Johnny Bravo’s auction came when Ginny and Dustin Bailey bid $100,000 for a vacation package, which drew a rowdy and grateful response from the crowd. Alice Mao Brams and Stacey Lindseth were chairs for the evening. Guests included Brigitte Kalai, Melissa and Michael Mithoff, Melissa Juneau, Olympian Carl Lewis, Courtney Hopson, Kristen Cannon, Hallie Vanderhider, Ben Berg, Donae Chramosta and Lara Bell.

Jennifer Pinkerton, Debbie Festari and Rachel Bagwell

Amy Beth Talley, Dr. Courtney El-Zokm, Dustin and Ginny Bailey

Ben Berg and Sam Governale

Brian White and Claudia Sierra

Brigitte Kalai, Katherine Triestman, Tiffany Wong and Melissa Mithoff

Alice Mao and Matthew Brams

Cody Soutar, Kristy Phillips and Sheri Wharton

Stacey and Al Lindseth

Dominique Sachse

Gigi Huang, Johnny Bravo and Lara Bell

Rafael Stone and Gerard Stone

Kathryn and Faruk Mujezinovic

Lane and Chita Craft, Iraida and Danny Brown

Monica Guerra and Crystal Del Toro

Paige Halberdier, Rachel Estes, Nikki Hardwick and Janette Gardner

Pete Bell

Travis Torrence

Rudy Festari

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Couples and Spa Aficionados Are Seeking Out This Equestrian and NFL Wife’s New Hotspot

LeBrina Jackson (photo by Shamir Johnson)

LEBRINA JACKSON, A noted equestrian with a fascinating story of overcoming challenges to succeed and grow, has always been an entrepreneur with a nurturing spirit. Even as a child growing up in Fifth Ward, she sold homemade popsicles — with fruit juice frozen into Styrofoam cups — for fifty cents, to cool her customers down on hot summer days.

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art

This Weekend: HGO Takes on Rarely Staged — and Oft Controversial — Wagner Opera

(photo by Robert Kusel)

Parsifal

TO BE BLUNT, there’s opera, and then there’s Wagner. By the time Richard Wagner had completed Parsifal in 1882, he was using the word bühnenweihfestspiel (“festival play for the consecration of a stage”) instead of “opera” to describe this four-and-a-half-hour epic, where music, drama, lighting, architecture, and quasi-religious ritual come together to create what the Germans called “gesamtkunstwerk,” or a total work of art. In the past decade, only two U.S. opera houses have had the guts to take on Parsifal, which makes the upcoming Houston Grand Opera production even more of a must-see, given how rarely this complex and controversial opera is staged.

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