Photos by Medina Duggar

WHAT IS THE CONNECTION between Black hair and architecture? A new group exhibit titled Hair Salon, opening today UH, considers this question and provides some eye-opening answers in the form of art, design, and architectural works, all inspired by the material properties and cultural and social history of Black hair.

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Wiley's 'Judith and Holofernes'

THE ENERGY IN the foyer of the Museum of Fine Arts, Houston’s Caroline Wiess Law Building is quite lively, thanks to the installation of two provocative paintings, painted 400 years apart — one by Artemisia Gentileschi, an Italian 17th-century female artist, the other by Kehinde Wiley, a contemporary, Los Angeles-born queer Black artist. Each depicts the grisly climax in the Old Testament Book of Judith, in which the widow Judith decapitates the Assyrian general Holofernes, thus saving her besieged Jewish city of Betulia.

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Photo by Lynn Lane

ON FRIDAY, JAN. 27 at MATCH, Houston new-music ensemble Aperio, Music of the Americas, now in its 17th season, returns to the Latin American-rooted programming of its early years with “Hot Buttered Rumba,” a selection of chamber music by Miguel del Aguila, John Mackey, Argentinean tango and bandoneon master Astor Piazzolla, and Robert X. Rodriguez — four composers who draw inspiration from North, Central and South American rhythms and folk music. With no percussionist onstage, it’s up to Aperio artistic director and pianist Michael Zuraw and eight guest instrumentalists to infuse the music with the energy and drama found in grooves and musical styles born outside of the concert hall, without sacrificing the attention to detail and technique required when playing Western classical repertoire.

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