Country-Music Stars Shine at Holiday Fundraiser in River Oaks

Wilson Parish
Country-Music Stars Shine at Holiday Fundraiser in River Oaks

Michael Humphries, Cameron Patterson, John Patterson and Jarrod Brown

A MUSICAL EVENING at River Oaks Country Club raised $600,000 for Nashville-based nonprofit Mission Lazarus, which funds transformational development work in Honduras and Haiti.


The “Songs on a Mission” gala, an annual event since 2017, kicked off with cocktails in the foyer, where guests browsed a selection of silent auction items before heading into the ballroom for dinner. Emcee Bryan Simpson, a singer-songwriter, introduced himself along with the other musical guests, Zach Crowell and Ben Johnson, who together have written hits sung by Dierks Bentley, Tim McGraw, Blake Shelton and many others. They performed their chart-toppers for the enthralled crowd of 200.

After the jam sesh, the live auction kept the energy high, with prizes like a Caribbean yacht trip and a resort weekend at Horseshoe Bay; the raffle and door prizes contributed greatly to the evening’s total till as well.

Zach Crowell, Bryan Simpson and Ben Johnson

Andi and Chad St. Jean

Traci Morrow, Tiffany Morrow and Kim Jenkins

Bret and Angela Strong

Shari and Ed Wood

Bryan Simpson, Zach Crowell and Ben Johnson on stage

Robert and Stacy Beasley

Gabi and Jarrod Brown

Herb and Alice Burtrum

Rex and Pam Lindberg

Justin and Casey Pollard

Niki Smith and Terri Tarwater

Mia and Jeff Calvert

Lindsey and Carson Tomalin

Mercedes and Ben Ahiabor

Mark and Rhonda Norville, Jeanae King and Mike Aldridge

Parties

LeBrina Jackson (photo by Shamir Johnson)

LEBRINA JACKSON, A noted equestrian with a fascinating story of overcoming challenges to succeed and grow, has always been an entrepreneur with a nurturing spirit. Even as a child growing up in Fifth Ward, she sold homemade popsicles — with fruit juice frozen into Styrofoam cups — for fifty cents, to cool her customers down on hot summer days.

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(photo by Robert Kusel)

Parsifal

TO BE BLUNT, there’s opera, and then there’s Wagner. By the time Richard Wagner had completed Parsifal in 1882, he was using the word bühnenweihfestspiel (“festival play for the consecration of a stage”) instead of “opera” to describe this four-and-a-half-hour epic, where music, drama, lighting, architecture, and quasi-religious ritual come together to create what the Germans called “gesamtkunstwerk,” or a total work of art. In the past decade, only two U.S. opera houses have had the guts to take on Parsifal, which makes the upcoming Houston Grand Opera production even more of a must-see, given how rarely this complex and controversial opera is staged.

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Art + Entertainment