Marking Five Years of Supporting Firefighters — and Hunks on the Runway — ‘Red Hot’ Catches Fire
Nov. 4, 2022
FIVE YEARS AFTER it launched, the annual “Red Hot Gala” supporting Houston firefighters is one of the, well, hottest tickets in the city’s social calendar. Created and co-chaired again this year by Alan and Elizabeth Stein to cover costs for equipment and training, Red Hot has raised more than $3.2 million since its inception, with some $625,000 coming in at this year’s 430-guest bash at the Royal Sonesta.
And what a bash it was, flowing over the course of the program from stirring to sexy! It started with the presentation of the flags by the Houston Firefighter Honor Guard and Pipes and Drums, and a stirring acapella rendition of the National Anthe by Firefighter Joe Rice, and eventually arrived at its usual apex — the shirtless catwalk-strutting of the coming year’s firefighter-calendar hotties.
The spectacle of triceps, biceps, lats and six packs was a hit with the ladies, who crowded around the merch table afterward to buy calendars and take selfies with the muscled gents. Calendar sales benefit the Burned Children’s Fund.
“The momentum continues to be up, and we are grateful for the outpouring of support,” noted the Steins about the fundraising effort.
A raucous live auction followed a dinner of rich short rib and roasted chicken. A triple strand diamond bracelet from IW Marks went for more than $12,000. A surprise, last-minute addition to the auction roster — a guitar signed by George Strait — went for more than $10,000.
One of the evening’s best moments came at the traditional after party when, to the live tunes of the Western Jelly band, the Astros Game Two win was broadcast to the happy crowd.
This year’s co-chairs were Carol and Bill Lawler, with Hallie Vanderhider serving as honorary co-chair. Generous donors Bobbie Nau and Susan Sarofim were called out for special recognition, as were committed volunteers Dee Darby, Scarlett Darby, Betty DuBose and Laura Elizabeth Stein. Notable guests included Margaret Alkek Williams, Brigitte Kalai, Alicia Smith, Van and David Greenberg, Fady Armanious, Bill Baldwin, Patti and Don Murphy, Robert Clay, Karen and Murry Penner, a slew of public officials, and emcees Ted Oberg and Houston Professional Firefighters Association President Patrick M. “Marty” Lancton.
Brigitte Kalai and Joanna Marks
Margaret Alkek Williams and David Wuthrich
Bobbie Nau, Elizabeth Stein, Hallie Vanderhider
Mr. June
Casey & Ryan Mitchell
Fady Armanious & Bill Baldwin
Jackie Eubank, Jo Ann Petersen, Diane Cain
Mr. October
Laura Elizabeth Stein, Captain Chris Garcia, Scarlett Darby
Marissa Eubank, Price Dubose, Darci Vazquez, Anna Hoffman, Kelsey Spieth
Monica & Russel Ybarra
Sarah & Dean Zubowski
Mr. February
Patti & Don Murphy
Shantell and Brian Wischnewsky
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Rebuffing Hustle Culture, This Busy Mom and Soprano Is Singing Her Way Through the Holiday Season
Nov. 8, 2022
Life as an artist can feel like a juggling act, requiring the ability to stretch and bend to the demands of making art while maintaining one’s physical and mental health. It’s a challenge Houston-born and -raised soprano Julia Fox knows well. A married mom to a three-year-old boy, the classical singer strives for a holistic approach to her career, and believes it’s best to let her work speak for itself.
“I want to protect against burnout,” says Fox, whose clear and richly colorful voice can sing everything from Baroque masterpieces to avant-garde art songs. “I did not get into singing because I love ‘the hustle.’ I got into it because it moves my heart, and I think it matters to humanity.”
Fox is one of the featured soloists in Ars Lyrica’s Dec. 13 concert, A Marian Feast, a holiday-themed program featuring music inspired by the Virgin Mary, including Claudio Monteverdi's 1610 setting of the Magnificat for six voices and continuo. The story of Mary resonates deeply with Fox, who is expecting her second child in December. “She is a mother with unknowns and deep fears, just like any mother,” says Fox. “It’s pretty universal for mothers to care deeply for their children and want to fend off any and all adversaries.”
Fox is also known for her ease with and enthusiasm for contemporary music and is a strong advocate for up-and-coming Texas- and Houston-based composers. On November 10, Fox performs Joshua Zinn’s A Dome of May Colored Glass for Soprano and Piano with the Texas New Music Ensemble at Archway Gallery. “I like making a case for music,” says Fox regarding her commitment to new music. “Composers write for a reason. So, my job is to help them, as best I can, bring to life whatever is there.”
When asked how she manages the often conflicting demands of the day-to-day, motherhood, and maintaining a creative practice, Fox bursts into laughter. “I would love to know what other people do!” she says. Fox recalls score studying while nursing and continues to rely on “juggling and creativity” to find time to practice. She admits as her son has gotten older he’s become a little fussier about what he wants to hear his mom sing around the house. “Sometimes, after bedtime, I’ll sneak out and do a warm-up and practice session in the car,” says Fox. Two cats and a dog round out her family’s lively household.
“I have found that when I am engaged in my own practices of meditation, prayer, yoga, when I am fully well-rounded in those realms, I feel sturdier on my feet as an artist,” says Fox. “I think there is a way we can assume a posture that is more welcoming to inspiration.”
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