EACH YEAR, THE Community Artists’ Collective (CAC), popularly known as “The Collective,” puts on the Hearts, Hands, and Heritage Quilt Show, showcasing the art of quiltmaking.
Founded by artist-educators Michelle Barnes and Sarah Trotty, the organization this year celebrates 35 years of providing support for African American artists, as well as educational programs in art appreciation, and workshops in all artistic mediums, including quilting.
On view through Nov. 19, this year’s Hearts, Hands, and Heritage is a captivating exhibit of beautiful, skillfully made quilts by members of The Collective’s Jubilee Quilt Circle, which was founded in 2007 for participants to learn and share what they know about the art of quilt making. For those who might consign quilting to a quaint, folkloric practice, Hearts, Hands, and Heritage is an opportunity to discover how contemporary and experimental the quilting can be.
In the early part of the 17th century, abolitionists working to bring an end to slavery in the U.S. raised money at outdoor fairs by selling African-American-made quilts. These quilts were practical in nature, sewn by enslaved women to keep themselves and members of their family warm — but within the staggered patterns and “mismatched” patchwork, there might be symbolic messages for those ready to attempt the journey to freedom via the underground railroad.
Today, contemporary artists such as Faith Ringgold draw inspiration from the techniques and visual language of African American quilt making to tell new stories — and, in the case of Ringgold’s “Picasso’s Studio: The French Collection Part I, #7,” in which a nude Black woman poses with the ladies of “Les Demoiselles d'Avignon,” engage with and subvert the history of art and its male, Euro-centric narrative.
That said, it’s interesting that among the quilts in Hearts, Hands, and Heritage, three are made by men: Gabriel Martinez, Daniel Williams and Sean Casey, who, as guys participating in a practice developed and sustained over several decades by women, bring a different kind of energy to the medium.
Houston textile artist Casey, currently the youngest member of the Jubilee Quilt Circle, created “Untitled” as a gift for his mother, with the outlined image of Casey’s grandmother materializing like a constellation in a galaxy of plastic buttons, minute toys and patches of fabric. Meanwhile, Martinez’s painterly “Untitled” is an example of quilting at its most abstract, and like so many of the quilts in the show, just when you think you’ve taken in the entirety of the composition, the patterns, colors, and shapes seem to rearrange themselves, demanding yet another look.
Among the quilts made by women is Lady Trish Henderson’s “Cookie Lyon’s Shoes,” a gorgeous grid of 20 extravagantly and singularly designed high-heel shoes, each one a pattern cut and sewn to the fabric by hand. The title namechecks Cookie Lyon, the tough-as-nails hip-hop mogul played by Taraji P. Henson on the TV show Empire, and evokes the spirit of resilience, range of creative vision, and sense of humor to be found in modern day quilting.
Martinez with his 'Untitled,' found fabrics on canvas
Lady Trish Henderson with 'Cookie Lyons' Shoes'
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Huge Crowd — Including Roller-Skating Divas — Brings Down the 'House' for Ronald McDonald
Daniel Ortiz and Jacob Power
Nov. 14, 2022
GALA SEASON IS now in its prime, and Houston socialites are as busy as they've been in years! More than 700 gathered at the Hilton Americas hotel to toast 40 years of the city's Ronald McDonald House at a gala chaired by Allison and Dan Connally.
Founded by Liz Kelley, the organization provides care and long-term support for families going through treatment in the Med Center. Her son, Sean Kelley, who suffered from childhood cancer, was her inspiration, and made an appearance at the big event. Longtime patrons, including Emily and Holcombe Crosswell, Peggy and Dick East, Flo McGee, Marilyn and Louis Mogas, and Diane and John Riley, were presented with an award thanking them for their decades of support.
The party had all the usual activities, including silent and live auctions — the latter of which gave away an impossibly cute Australian Labradoodle to the highest bidder.
Before the Dry Water Band took to the stage, Board President Larry Hanrahan had everyone raise a glass to the occasion — and then confetti canons shot into the air and roller-skating dancers appeared, gliding around the room to the tune of "Dancing Queen."
The evening raised a million dollars to further Ronald McDonald House's mission to provide families a home away from home during trying times.
Tara and William Nieves
Allen Crosswell and Amy Rozell
Ritu and Kunal Nadkarhi
Alvin Abraham and Beth Wolff
Cookie and Larry Hanrahan
Lesha and Tom Elsenbrook
Cristina Vetrano and Allison and Dan Connally
John and Diane Riley with the auction-prize pup
'Dancing Queen'
John and Bridget Brennan
Wells and April McGee
Peggy and Dick East
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