Michelle Miears

Dallas-reared Michelle Miears, 29, has made a name for herself in Houston as a member of electronic trio BLSHS, who’ve released two EPs and played big-name festivals like Summer Fest. But while the band is on a short hiatus, she’s been focusing on her solo project, Miears. Her five-track debut Who Will Save You? — which she wrote, recorded and produced herself — dropped in February, and is making waves with its lush, introspective tracks. “It’s all about my tortured little soul,” she says with an ironically big smile. The album title comes from the third song, a heartfelt track about the Montgomery County Animal Shelter, where Miears, who adopted a toy poodle named Bootsy, volunteers on Sundays. “I always try to focus on the positive,” she adds.

Miears’ solo-project debut was inspired by “real emotions from past relationships,” she says. “I can put a name to each song. But I won’t.” She wears rhodium diamond long drop earrings, $19,250, at Deutsch & Deutsch; diamond snake ring, $4,765, at Zadok Jewelers. 

Click here to see our full portfolio of Houston's diverse music scene 

Special
travel

A Dreamy L.A. Escape Entails Opulence, Intrigue — and Even Some Walking

Life’s a beach in Santa Monica

DOGS WITH PONYTAILS. Someone dressed like Jimmy Buffet on psychedelics blaring music from a speaker hanging from his neck. Another gent taking a conference call on a ’90s-era headset at the skate park. These are all scenes from a leisurely hour in Venice Beach, where eclecticism and luxury intersect in true Los Angeles fashion.

Keep Reading Show less
People + Places
coolest people

In Homecoming Show, Isabel Wallace-Green Dances Her Way Back to Jones Hall with Alvin Ailey Company

Isabel Wallace-Green (photos by Kent Barker and Xavier Mack)

HOUSTON-BORN DANCER AND arts educator Isabel Wallace-Green vividly recalls seeing a performance of Alvin Ailey’s landmark 1960 dance work Revelations as a child, peering over a high balcony in Jones Hall. “The dancers were pretty small!” laughs Wallace-Green, who nevertheless was captivated, especially by a section in Revelations titled “Wade in the Water,” where translucent white, cobalt, and aquamarine cloths are stretched across the stage to evoke baptismal waters and — for African American slaves — the riverbed as a pathway to freedom. “I’d never seen anything like that.”

Keep Reading Show less
Art + Entertainment