events

Blockbuster ‘Jurassic World’ Exhibit at Katy Mills Is Fun for All Ages

Blockbuster ‘Jurassic World’ Exhibit at Katy Mills Is Fun for All Ages

WHILE IMMERSIVE EXPERIENCES have sort of taken over event calendars these past few years, many have been much more about providing Instagram-friendly content rather than in-the-moment fun.

Jurassic World: The Exhibition is a 20,000-square-foot show erected in a tent in the parking lot of Katy Mills mall; it has previously popped up in Madrid, Paris, Seoul, Sydney and beyond. From start to finish, the hour-long walk-through production is engaging and appeals to multiple generations of patrons — regardless of whether they want to post it on social media.

“Pods” of guests can enter the tent every half-hour. The experience kicks off with a photo op, and then a short video that is played as visitors board a ferry, sail across the ocean, and arrive at the iconic Jurassic World gate.

Inside, guests come face-to-face with life-size animated dinosaurs, and are escorted from room to room by cute, young attendants with a decent knowledge of the species. Special features include sensory tables, iPads that allow guests to “see” inside dinosaur eggs, and meet-and-greets with baby dinos!

People + Places
travel

A Dreamy L.A. Escape Entails Opulence, Intrigue — and Even Some Walking

Life’s a beach in Santa Monica

DOGS WITH PONYTAILS. Someone dressed like Jimmy Buffet on psychedelics blaring music from a speaker hanging from his neck. Another gent taking a conference call on a ’90s-era headset at the skate park. These are all scenes from a leisurely hour in Venice Beach, where eclecticism and luxury intersect in true Los Angeles fashion.

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coolest people

In Homecoming Show, Isabel Wallace-Green Dances Her Way Back to Jones Hall with Alvin Ailey Company

Isabel Wallace-Green (photos by Kent Barker and Xavier Mack)

HOUSTON-BORN DANCER AND arts educator Isabel Wallace-Green vividly recalls seeing a performance of Alvin Ailey’s landmark 1960 dance work Revelations as a child, peering over a high balcony in Jones Hall. “The dancers were pretty small!” laughs Wallace-Green, who nevertheless was captivated, especially by a section in Revelations titled “Wade in the Water,” where translucent white, cobalt, and aquamarine cloths are stretched across the stage to evoke baptismal waters and — for African American slaves — the riverbed as a pathway to freedom. “I’d never seen anything like that.”

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Art + Entertainment