Famous Daughter — Whose Book Inspired the Awards-Season Darling 'Maestro' — Toasts Houston Music Org

Emily Jaschke
Famous Daughter — Whose Book Inspired the Awards-Season Darling 'Maestro' — Toasts Houston Music Org

Alecia Lawyer, ROCO Founder, and Jamie Bernstein

A SPECIAL GUEST attended Houston-based chamber orchestra ROCO’s annual holiday gathering. Jamie Bernstein, the daughter of composer Leonard Bernstein, attended the festive evening, which coincided with the release of the talked-about movie Maestro, starring Bradley Cooper as Leonard. (Cooper just received a Golden Globe nom for the role.)


Guests were excited to check out ROCO’s new home in the Edloe Forum, a beautiful and acoustically sound venue off of Buffalo Speedway, where they enjoyed light bites by Soren Pederson and vino courtesy of Gil Family Estates.

Jamie recently authored the book Famous Father Girl: The Intimate Memoir of Growing Up Bernstein, which inspired the motion picture. She participated in a conversation about the intersection of music, culture and creativity, and also gamely fielded questions during a lively Q&A following her presentation.

Another highlight of the evening was a performance by pianist Dehner Franks, who played his arrangements of West Side Story tunes.

Amy Gibbs, Beverly and Bill Coit

Toni Oplt and Ed Sneider

Beth Wolff and Jennifer Jacks

Carlos Ramos and Mark Sanders, Winnie and Edwin Sy, Larry Lawyer

Sonja Massak, Craig Miller, Bret Hammett and Diana Woodman

Edloe Forum

Steve Wyatt and Joyce Echols

Michael and Marcia Feldman

Dehner Franks

Kristie Peterman, Jane Johnson, Anite Jenson

Lori Gobillot, Mikey Brock, Ted Gobillot

Parties

LeBrina Jackson (photo by Shamir Johnson)

LEBRINA JACKSON, A noted equestrian with a fascinating story of overcoming challenges to succeed and grow, has always been an entrepreneur with a nurturing spirit. Even as a child growing up in Fifth Ward, she sold homemade popsicles — with fruit juice frozen into Styrofoam cups — for fifty cents, to cool her customers down on hot summer days.

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(photo by Robert Kusel)

Parsifal

TO BE BLUNT, there’s opera, and then there’s Wagner. By the time Richard Wagner had completed Parsifal in 1882, he was using the word bühnenweihfestspiel (“festival play for the consecration of a stage”) instead of “opera” to describe this four-and-a-half-hour epic, where music, drama, lighting, architecture, and quasi-religious ritual come together to create what the Germans called “gesamtkunstwerk,” or a total work of art. In the past decade, only two U.S. opera houses have had the guts to take on Parsifal, which makes the upcoming Houston Grand Opera production even more of a must-see, given how rarely this complex and controversial opera is staged.

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