Lynn Wyatt, Kam Franklin, Brian Ching Help Houston's New Virtual Reality Experience Blast Off

Daniel Ortiz
Lynn Wyatt, Kam Franklin, Brian Ching Help Houston's New Virtual Reality Experience Blast Off

Mara Haaksman, James Inglis, Kam Franklin, Ryan Ramirez

SILVER STREET STUDIOS has arguably never been so silver, as hundreds of guests (many clad in “space-chic” attire) turned out to celebrate the launch of The Infinite, an outer-space-themed multi-sensory installation that landed in H-Town in late December.


A blue carpet led partygoers from the entrance to the bar, naturally, before they could virtually climb aboard the International Space Station. (True Anomaly Brewery poured craft beers, while Gentle Ben Vodka shook up the evening’s signature cocktail, dubbed the Space Rodeo.) Throughout the 60-minute experience, participants can explore the ISS and interact with art, sound, lights and even scents, all while immersing themselves in 360-degree virtual-reality footage shot aboard and outside of the ISS.

Among those in attendance were astronauts, NASA officials, artists and musicians, city leaders and familiar philanthropic faces: Lynn Wyatt, Kam Franklin, Brian Ching, Jon Deal, David Gow and Ursaline Hamilton were all spotted on The Infinite journey.

The 12,500-square-foot exhibition, open through Feb. 20, is an extension of the Emmy-winning interactive series Space Explorers: The ISS Experience, a multiplatform production filmed by and documenting the lives of astronauts aboard the International Space Station. Christina Koch and Anne McClain, resident flight engineers who appear in the series, generously shared their stories and chatted with guests throughout the evening.

Serafina Lalany, Alex De la Fuente

Brian Ching, Lindsay Yates

Michael Duckworth

Ceron

Matthew Moncivais, Robert Koch

CoCo Dominguez, Miya Shay

Mark Sullivan, Ursaline Hamilton

Davis Sheffield, Gabi Schlegel

Lynn Wyatt

Derrick Shore, Brandon Bourque

Felix Lajeunesse, Stephane Rituit, Phoebe Greenberg

George and Michelle Leal Farrah

Christina Koch, Anne McClain

Parties

A rendering of the aerial view of Lynn Wyatt Square

THE DOWNTOWN THEATER District is about to experience a transformation, with the long anticipated grand opening of Lynn Wyatt Square for the Performing Arts (LWS). Located within a “square” created by Texas avenue and Capitol, Smith and Louisiana streets, and flanked north and east by the Alley Theatre and Jones Hall, the beautifully designed, $26.5 million green space has it all: a flexible performance lawn for concerts, a cascading fountain, one-of-a-kind rockers and tête-à-tête seating, and plenty of accessible entries to its promenades and gardens. Wyatt made a $10 million gift toward the project, and Downtown Redevelopment Authority, Houston First, and numerous foundations funded the rest. LWS will be fully open to the public beginning Friday, Sept. 22.

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Art + Entertainment

ON AN ANCIENT, scratchy recording made circa 1926, Texas-born singer-guitarist Blind Lemon Jefferson began a song with the bold statement: “The blues came from Texas, loping like a mule.” The Lone Star state certainly birthed its own lonesome hybrid of the blues — distinct from the Mississippi Delta — that drew upon several styles of music, including big band music of the swing era, classic country and western, and Tejano music. And when it comes to the blues, jazz and rock and roll, Houston has a musical legacy that few other cities can match.

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Art + Entertainment