Inside the Symphony's Million-Dollar Musical Evening

Inside the Symphony's Million-Dollar Musical Evening

Beth Wolff, Janet Clark, Bill Stubbs and Cheryl Byington

THE WORD OF the night at the 2022 Symphony Ball was “harmony.” The music was melodious, the company was congenial, and the perfectly paired plates and wines were delicious. Not to mention, the actual theme of the Ball was “The Symphony World in Harmony."


Although not quite as populous as pre-Covid times, the annual gala was attended by nearly 350 well heeled guests, who arrived at The Post Oak Hotel serenaded by The Dave Bennet Quartet. The evening recognized Margaret Alkek Williams and Janet F. Clark for their longtime philanthropic contributions and CEO John Mangum for his artful leadership.

Before a dinner created by Executive Chef Jean-Luc Royere — complete with wine pairings courtesy of Lindy and John Rydman of Spec’s — guests perused the silent auction, and later enjoyed a special acoustic performance by rockstar Sammy Hagar and his guitarist Vic Johnson.

The event — attended by Alex and Reagan Bregman, Tony Buzbee and oil-biz heavy-hitters — also celebrated a bittersweet season for the Symphony, which will bid adieu to Music Director Andrés Orozco-Estrada later this year.

More than $1.1 million was raised to further the Symphony’s Education and Community Engagement programs, which bring the joy of music into schools and hospitals all over the region.

Beth Zdeblick and Hallie Vanderhider

Tammie and Charles Johnson

Aisha Jokhio, Yoon Smith and Alice Mao Brams

Betty Tutor and Ann Ayre

Susan and Denis DeBakey

Eric and Lisa Lindsey

Gabriella and Eduardo Berain with Lydia Gold

Sheridan and John Eddie Williams

Gwen McMurry, Carey Kirkpatrick, Lil Kades and Megan Ryan

Reagan Bregman and Heather Almond

Lindy and John Rydman

Kevin Black and Tony Bradfield

John and Regina Mangum

Leslie Siller

Parties

LeBrina Jackson (photo by Shamir Johnson)

LEBRINA JACKSON, A noted equestrian with a fascinating story of overcoming challenges to succeed and grow, has always been an entrepreneur with a nurturing spirit. Even as a child growing up in Fifth Ward, she sold homemade popsicles — with fruit juice frozen into Styrofoam cups — for fifty cents, to cool her customers down on hot summer days.

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(photo by Robert Kusel)

Parsifal

TO BE BLUNT, there’s opera, and then there’s Wagner. By the time Richard Wagner had completed Parsifal in 1882, he was using the word bühnenweihfestspiel (“festival play for the consecration of a stage”) instead of “opera” to describe this four-and-a-half-hour epic, where music, drama, lighting, architecture, and quasi-religious ritual come together to create what the Germans called “gesamtkunstwerk,” or a total work of art. In the past decade, only two U.S. opera houses have had the guts to take on Parsifal, which makes the upcoming Houston Grand Opera production even more of a must-see, given how rarely this complex and controversial opera is staged.

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