This Weekend: Former Houston Ballet Soloist Brings the 'House' Down in the Heights

Lawrence Knox
This Weekend: Former Houston Ballet Soloist Brings the 'House' Down in the Heights

A moment from 'The House,' choreographed by Nao Kusuzaki

WALKING THE GROUNDS of the Heights Ironworks is like stepping back in time, making it the ideal location for choreographer and former Houston Ballet soloist Nao Kusuzaki’s immersive dance performance, The House. Created for Houston Contemporary Dance Company and running Feb. 8-10 (5pm, 7pm and 9pm), The House explores the groundbreaking accomplishments of Barbara Jordan, the first African American elected to the Texas Senate after Reconstruction, and Harper Lee, author of To Kill a Mockingbird. Although Jordan and Lee’s paths never crossed, Kusuzaki imagines them as guests at the Yale House, a five-room historic landmark built in 1903.


As an audience limited to 30 for each performance is led throughout the house, the stories and secrets of these two amazing women are revealed through movement and spoken word.

“They were true to their values, and words were their main tool,” says Kusuzaki of Jordan and Lee. “They were both strong women who realized their dreams and influenced society in terms of human and civil rights.”

Given the limited amount of square footage within the Yale House, the big challenge for Kusuzaki has been predicting how the audience will react in such cramped quarters. “Some people like to be close, but others might want their space,” says Kusuzaki. Despite such challenges, Heights Ironworks has been a creatively stimulating choice of venue for dance. “It’s quite beautiful,” says Kusuzaki. “I was inspired by the property, and how it’s being used today.”

Art + Entertainment

A detail of Konoshima Okoku's 'Tigers,' 1902

THROUGHOUT THE HOT — and hopefully hurricane-free — months of summer, visitors to the Museum of Fine Arts, Houston can step through a portal and experience another era with Meiji Modern: Fifty Years of New Japan, on view through Sept. 15.

Keep Reading Show less

Jacob Hilton a.k.a. Travid Halton

THERE IS A long recorded history of musicians applying their melodic and lyrical gifts to explore the darker corners of human existence and navigate a pathway toward healing and redemption. You have the Blues and Spirituals, of course, which offer transcendence amid tragedy in all of its guises. And then there’s Pink Floyd’s The Wall, Frank Sinatra’s In the Wee Small Hours, and Beyoncé’s Lemonade, three wildly divergent examples of the album as a cathartic, psychological, conceptual work meant to be experienced in a single sitting, much like one sits still to read a short story or a novel.

Keep Reading Show less
Art + Entertainment