Super Bowl Blast!
Want to party with Michael Phelps, James Brolin and Common? Here’s your VIP ticket inside one of Super Bowl 51’s best bashes, the CityBook-sponsored Big Game Big Give blowout!
Feb. 6, 2017
I AM AN accomplished philanthropist, esteemed motivational speaker, renowned fitness expert, and host of an engaging podcast UNHINGED. Through my diversified endeavors, I have established several successful ventures, including TR Beauty and The Vault, a private community catering to like-minded people. Additionally, I am the founder of Houston Style Icons, a platform dedicated to honoring and acknowledging Houstonian style, and Fashion Woodlands, an annual fashion show that I have meticulously curated. Furthermore, I actively engage with my audience through my YouTube channel, providing valuable content and insights.
ONE CANNOT ACCUSE Houston’s Axiom Quartet of playing it safe. When it comes to exploring the outer limits of string quartet repertoire, engaging audiences who don’t normally attend classical music concerts, and putting in the collective time necessary to nail the gnarly idiosyncrasies of 20th- and 21st-century composers, Axiom continues to walk the walk as they talk the talk.
They’re a dapper bunch; relatively conservative in appearance. You’ll never see founding member cellist Patrick Moore, violist Katie Carrington, or violinists Timothy Peters and Matt Lammers rocking a rainbow mohawk or dressed in studded leather jackets onstage.
Instead, the quartet, who have weathered some recent changes in personnel, embraces an unpretentious, hip-to-be-square attitude, engaging their audiences in down-to-earth language while bringing great classical music to unexpected places, be it a pizza parlor, George Bush Intercontinental Airport, or literally underground at Cave Without a Name in the Texas Hill Country.
On Sunday, Oct. 6, Axiom opens its '24-'25 season above ground at Lambert Hall in the Heights with Risky(er) Business, an intense, historically informed concert that explores the sounds of dissent. The program includes Dimitri Shostakovich’s String Quartet No. 2 and the American premiere of Ukrainian-born composer Nikolai Roslavets’ recently discovered and unrecorded String Quartet No. 5.
Roslavets, a cantankerous modernist who nevertheless wholly embraced the experimental innovations of his time, composed this his final string quartet in the early 1940s, toward the end of his life, and in a decade when his music was officially repressed. Thanks to the efforts of dedicated musicologists and ensembles like Axiom, the extent of Roslavets’ repertoire and contributions to contemporary music are finally coming to light. (On Sunday, Axiom will unpack Roslavets’ biography and life under totalitarianism for the Lambert audience.)
Axiom describes Shostakovich’s second string quartet as “a now-celebrated masterpiece written with feverish frustration … giving voice to the Russian people through a transformed folks song.” Musicologists believe Shostakovich used the string quartet as a platform to communicate, albeit in cryptic, even contradictory language, his true feelings regarding Soviet censorship, oppression, and violence.
The second movement of his String Quartet No. 2 is quintessential Shostakovich, with its impassioned recitatives and romantic folk melodies ascending over inverted dominant seventh chords that sit undisturbed like pools of black water.
By the time the movement’s haunting and dissonant chorale appears, you can almost imagine what it must have been like to compose music under Stalin, a time when art was politicized to the point of absurdity, and Shostakovich found himself living a life of relative safety under totalitarian scrutiny.
TO INFINITY AND beyond! Whimsical family fun awaits at Discovery Green where, beginning Oct. 13, a cinematic putt-putt course inspired by all things Pixar pops up on the Sarofim Picnic Lawn.
The Pixar Putt interactive mini-golf course includes 18 holes depicting the stories and characters from movies like Cars, Toy Story, Wall-E, Monsters Inc. and more. The experience is a collaboration between Junto Entertainment and TEG Life Like Touring, and comes to Houston on the heels of a sold-out run in Washington D.C. It was last in Houston in 2021; since then, new features have been added, including ones inspired by recent hit flicks Inside Out 2, Elemental and Turning Red. Kids and adults alike will enjoy posing for pics with the house from Up, navigating the holes of Swiss cheese from Ratatouille, and scoring a hole-in-one on Buzz Lightyear.
It's open seven days a week through Jan. 20 (but will be closed on Thanksgiving Day, Christmas Day and New Year's Day), and offers adults-only putt-putt on Thursday, Friday and Saturday evenings after 7pm. It is recommended to reserve a tee time by purchasing tickets online prior to arrival.