At Dress for Success and Women of Wardrobe's annual Summer Soiree, generously hosted by Tootises, fashion-forward attendees dressed in pretty pastels, bold patterns and lots of ruffles — many designed by Houston's Hunter Bell, who showed off her fall line alongside jewelry by Claudia Lobao. Chairs Karishma Asrani, Courtney Campo, Allie Danziger and Melissa Sugulas welcomed guests to the event, which toasted the 20th anniversary of Dress for Success, and raised more than $20,000 for the org.
Thrive & Inspire: ‘Results for Clients’ in Oil and Gas Drives Michelman & Robinson’s Varnado
Mar. 6, 2023
WHAT WAS THE highlight of 2022 at your business? That’s easy, launching Michelman & Robinson in Houston was, for me, the absolute high point of 2022 — and that’s in a year that included so many highlights. Without question, being named the firm’s Houston Office Managing Partner is and was a professional milestone that I’m so very proud of. That I’ve already been able to expand the office to 10 of us (and growing) and significantly move the needle in terms of the firm’s reach within the energy space is icing on the cake.
What makes all this even better are the positive results my team and I were able to obtain on behalf of our clients in 2022. This includes a very favorable settlement we negotiated on behalf of EQT Corporation, the nation’s largest natural gas producer, in what turned out to be a very controversial trial in West Virginia in which EQT faced hundreds of millions of dollars in exposure. That case involved a judge who pulled out a handgun from beneath his robe and pointed it at me in his courtroom — an episode covered by People, Vanity Fair, The Daily Beast and CBS and NBC News and which led to his resignation from the bench. Like I said, It was a year full of highlights.
Successful people usually have many choices in what to do professionally? Why did you choose this? I’m a Houstonian through and through, so it’s no surprise that I’ve always been drawn to the oil and gas industry, which in many ways defines our great city. The people and issues that I have the privilege of working with — and on — in the energy space keep me on my toes, always engaged, and excited about each and every day.
We’re fans of the late educator Stephen Covey, who used to say that successful people “begin with the end in the mind.” At your business, what’s the end? What are you striving to accomplish? I want to be known as a preeminent first-chair trial attorney — a go-to lawyer handling the most consequential cases impacting the oil and gas business in Texas and beyond. Truth be told, not many women fit this bill. I’m proud to say that I do, and I’m so grateful to the clients that entrust me with their most important pieces of litigation.
What’s new for 2023 that you’re excited about? New colleagues as my office grows, new cases that I’m handling for amazing clients, and new challenges as I continue to spread my wings here in Houston — it’s all so exciting!
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Parlor-Game-Inspired 'Hot Bod' Art Show at Quirky Montrose Bookshop Is the Perfect End to Summer
Aug. 13, 2024
THE SUNLIT, COZY, 700-square-foot second floor of Basket Books and Art is the site of Hot Bod, one of the strangest and most intriguing exhibits currently on view in Houston.
Each work in this group show is a collaboration between three different artists, created using the rules of the surrealist parlor game, Exquisite Corpse, or “cadavre exquis” for you Francophiles, in which a player draws on a portion of a sheet of paper, folds the paper to conceal what they’ve drawn, and then passes it along to the next player to do the same. When unfolded, the juxtaposed images can be startling, even bizarre, thanks to the synchronistic nature of the process, and the twisted humor of the artists. (The show’s title sets the vibe for this summertime (hot) exquisite corpse (bod) exhibit.)
To pull this off, Basket Books and Art co-owner Edwin Smalling, a practicing artist with an MFA from Yale, and a purveyor of and advocate for physical media (i.e. books), chose to do it the hard way. After selecting a total of 120 participants, about a third of whom are based in Houston, Smalling initiated a long-distance form of “exquisite corpse” using the venerable, but not always reliable, United States Postal Service.
The artists received a “kit” containing three envelopes each, with a strip of blank paper, postage, and instructions to adhere to the rules of the game and mail their artwork to another artist, and finally back to Smalling. By eschewing the cloud and file-sharing platforms, Smalling hoped to inspire a broader, more inclusive spirit among the artists, and create “a map of the geographic and artistic network that the drawings have traversed on their way back to Basket Books and Art.”
Given the fact that USPS moves in mysterious ways, works for Hot Bod are, at the time of this writing, still arriving in the mail.
Among the Houston artists in Hot Bod are photographer and visual artist Jermani May paired with Darius Carter, a.k.a. OGPopzIG; and Areli Navarro Magallón, Communications Coordinator for Art Is Bond. Carter has been especially busy this summer. His artwork was included in Boston Center for the Arts’ 27th Drawing Show Yušká: Uncoil and the Brooklyn Art Cave’s third annual art exhibition Where We From, and he regularly drops short, fast-cut, hip-hop soundtracked video montages on Instagram highlighting current gallery and museum shows in Houston and beyond.
May, Magallon and Carter
'Exquisite Corpse' artwork (photo by Chris Becker)
May, Carter, and Magallón’s contribution to Hot Bod is an explosive, psychedelic mini-mural, with the trio posed alongside Gertrude Stein and Alice Toklas’ poodle, the namesake and mascot of Basket Books and Art, looking cool and composed beneath a burning sky and bulbous cloudscape teeming with syncretic icons. Other standout artists to search for in the exhibit include Joseph Havel, Terry Suprean, Rabéa Ballin, Jeremy DePrez, Corey Sherrard, and Dana Frankfort.
Works from Hot Bod are available to purchase; 50 percent of each sale will be donated to support the Women’s Storybook Project of Texas, a non-profit program that helps incarcerated mothers stay connected to their children by recording stories and messages of love. Hot Bod is on view until Sept. 1, and a reception is scheduled for Saturday, Aug. 17, from 4-6 pm.
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For the Second Consecutive Year, Houston Youth Grab Gold at 'Brave New Voices' Competition
Aug. 13, 2024
POETRY CONTINUES TO be one of Houston’s most celebrated cultural exports, especially when it is brought to life onstage, with considerable theatrical flair, by the city’s premier youth poetry team, Meta4 Houston.
Established in 2007 by Shannon Buggs and Sixto Wagan, and later adopted in 2012 by Writers in the Schools, the Meta4 Houston Youth Writing Fellowship nurtures poets aged 13-19, helping them develop their writerly skills and a fearless style of “performance poetry” designed to wow audiences in large venues. (The 1970s-era poetry collective The Last Poets, Gil Scott-Heron, and Nikki Giovanni set the precedent for this style of poetry, which is both highly musical and intensely political in its delivery and content.)
Each year, the fellowship welcomes a new team of poets from across Houston to represent as Meta4 Houston and travel across the country to compete against other talented teams in poetry “slams.” Last year, Meta4 won the national championship in the prestigious Brave New Voices International Youth Poetry Slam Festival. It was the first-time first-place win for the team and, amazingly, on July 20, 2024, Meta4 won first place at the Brave New Voices slam for the second consecutive year.
This year’s Meta4 poets — Bela Kalra, Amaya Newsome, Cristina Perez-Ruiz, Mya Skelton, and returning fellows Samiyah Green and Adriana Winkelmayer — spent months preparing for the competition, guided by Houston Poet Laureate Emeritus, Emmanuel “Outspoken” Bean, and co-coach and Meta4 alumni, Alinda "Adam" Mac. Onstage at the historic Howard Theater in Washington, D.C., the members of Meta4 delivered poems addressing such hot-button topics as Texas climate change, gun violence, and fast fashion.
In a statement, WITS executive director Giuseppe Taurino expressed his joy at Meta4’s victory: “These powerful young artists have been hard at work honing their craft for months and are deserving of this great win. Their dedication to exploring, investigating, and genuinely interacting with the world around them is inspiring.”
On Sept. 28, at the WITS house located near the Menil Collection, leaders in the arts, current Meta4 members and alumni, and program supporters will gather to celebrate the second first-place Brave New Voices win, as the MetaForward campaign prepares the program for the 2025 team.
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