At Dress for Success and Women of Wardrobe's annual Summer Soiree, generously hosted by Tootises, fashion-forward attendees dressed in pretty pastels, bold patterns and lots of ruffles — many designed by Houston's Hunter Bell, who showed off her fall line alongside jewelry by Claudia Lobao. Chairs Karishma Asrani, Courtney Campo, Allie Danziger and Melissa Sugulas welcomed guests to the event, which toasted the 20th anniversary of Dress for Success, and raised more than $20,000 for the org.
Ex-Tomboy Jentry Kelley Has Become a Beauty-Biz Titan, Believes in Taking ‘Leaps of Faith’
Jun. 24, 2022
For someone who has never heard of Jentry Kelley or Jentry Kelley Cosmetics, what is your elevator pitch? Simple, clean, no fuss skincare and makeup. If you want clean, yet easy to use, and you are not a self-proclaimed makeup artist, this brand is for you. We are education-focused. When you have the confidence to do it on your own and tools to make it look right, you can look and feel your best every day when you head out to take over the world.
How did you land in the world of cosmetics? Was the world of beauty always your passion? Actually, I climbed trees and caught frogs as a child! When I was 14, my mom sent me to Page Parkes modeling school and I learned the art of makeup application. I had always been an artist with a canvas, but this time the canvas was my face — and I felt pretty for the first time in my life. Fast foward, I started working at a makeup counter at Neiman Marcus during college and over the course of 11 years I met some amazingly supportive people, and Jentry Kelley Cosmetics was born.
How did you go from working behind the counter at a department store to having a self-titled cosmetics line in branded brick-and-mortar retail locations? A quick mention from a friend that I should create my own line, an American Express Card, and an appetite for success. All the way back to when I was a child, I knew I would own a business one day. In 2011, I charged $35,000 my AMEX card. It was a huge leap, but I knew if I gave every ounce of me, it would be a success. Eight months later, I landed my first retail store, and three years later I was selling to 17 retail locations. Today, I have two brick-and-mortar stores, and just expanded our flagship location by another 5,000 square feet.
Who inspires you? Over the 11 years I spent at Neiman’s I worked for both Bobbi Brown and Laura Mercier. Hearing the story of how Bobbi was an artist just like I was, was inspiration and motivation. Later, I landed a counter manager position at Laura Mercier. I started just a few years after Janet Gurwitch sold had to Alticor. Janet would pop in and buy gifts for her friends, and I had the pleasure of meeting and chatting during her visits. Over the years, we have stayed in contact, and it absolutely amazes me to watch the brands she acquires and builds to become strong, well-established household names.
What is next for the brand? Any new ventures? For the first time ever, I am dabbling in fragrance and body products. This is an extremely competitive market, but always something I’ve wanted to do. Again, another leap of faith and an accidental meeting started it all. Our fragrances will have notes of leather and citrus, but also a very clean aroma. I was inspired by Le Labo and Acqua di Parma. We are nearing formulation completeness and so close to the next big move for the company and I cannot wait.
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New Italian Resto in Rice Village Dishes 100-Layer Lasagna and Retro-Cool Vibes
Julie Soefer
Sep. 23, 2024
IT WAS LOVE at first bite of the tender, housemade pasta — think mushrooms, garlic and hints of lemon and white wine — at the preview party of new Milton’s in Rice Village, which officially bows Sept. 27.
The convivial American trattoria is the brainchild of Houston restaurateur Benjy Levit (Benjy’s, Local Foods, Lee’s Den, Maximo), culinary director Seth Siegel-Gardner, exec-chef Kent Domas and the Local Foods Group. Milton’s, named after Benjy’s late father, resides in the former Eau Tour space above Local Foods.
If you’ve followed the Houston dining scene long enough, you know that if Levit’s concepts need tweaking, he will quickly pivot. "We wanted to create an intimate space where people can come together to meet old friends and make new ones," says Levit. "Reflecting back to the golden age of gathering, our team has worked tirelessly to create an elegant yet unpretentious dining experience with comforting shareable dishes and incredible drinks evoking subtle nostalgia.”
Craveable starters include the Tigelle Platter with baked-to-order Emilia Romagna-style stamped flatbreads and salumi, house pickles, or chicken liver mousse with whipped ricotta. Three-day-fermented sourdough garlic knots with burrata and fresh shaved truffles; and rocket and parsley salad with Parmesan, warm guanciale, and lemon also hit the spot.
A scratch-made pasta program is at the heart of the menu, and you can really taste the freshness. Options include pillowy ricotta gnocchi with cacio e pepe; Bolognese with rigatoni, sherry and Parmesan; and agnolotti del plin stuffed with mortadella and prosciutto. Chicken Parmesan will be a staple, alongside eggplant and veal Parmesan options, and luxurious 100-layer lasagna will feature unique fillings changing weekly. We look forward to the towering tiramisu with made-in-house coffee liqueur as our sweet finale.
Highlights of the bar program by beverage director Máté Hartai (Refuge, Tongue Cut Sparrow) include Milton’s Martini with Barolo Chinato, dry vermouths, and London dry gin, kissed with champagne bitters; The 77 Beige, whiskey and Benedictine enhanced with sesame and brown butter; and Caffe Incoretto, a riff on the classic espresso and liqueur drink. Hartai also makes Rubycello with Texas Ruby Red grapefruit in a limoncello treatment and as the star of a highball with Cocchi Rosso and rosé bubbles.
Rather sip vino? Expect Old and New World options and some fun and funky bottle and by-the-glass selections at various price points.
To create the warm interiors, Brittany Vaughan of Garnish Design leaned away from classic trattoria colors and motifs, choosing a preppy color palette of Irish green and golden yellow. An 11-seat Brunswick-styled bar leads to the open kitchen and roomy plush banquettes welcome guests for a leisurely supper. Mahogany accents throughout the dining room channel a New England yacht club, with brass lighting fixtures completing the 60-seat space. An enclosed patio will serve as a private dining room for intimate gatherings.
Vaughan is also spearheading the revamp of adjoining concept Lee’s Den, expected to open this winter as an elegant speakeasy tucked away amongst the canopy of surrounding trees. Cocktails, wine, and small bites will be on offer.
Gnocchi
Tiramisu
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This Weekend: Metalsmith Tara Conley Welds and Weaves Eye-Catching New Pieces for 'Lost and Found' Show
Sep. 20, 2024
IT’S BEEN A while (2017 to be exact) since we featured Houston metal sculptor Tara Conley in our inaugural A Day in the Life of the Arts photo essay. That image of Conley in her Montrose studio, dressed in jeans, a long-sleeve flannel shirt, and a welders mask, holding a blow torch and staring down the camera while crouched behind one of her elegant steel sculptures, certainly conveyed the “work” that goes into being a “working artist.”
Since then, Conley hasn’t stopped working. Far from it. This past summer, she had a gallery show at Rockport Center for the Arts, public art displayed at 800 and 820 Gessner buildings in Memorial City, and was part of a group exhibit at Lee College. On Friday, Sept. 20, Houstonians who have been missing Conley should head over to ELLIO Fine Art for Lost and Found, a solo exhibit of Conley’s small and large free-standing bronze, stainless steel, and cast iron sculptures, wall installations and text pieces.
Conley says this new collection ”explores connection, movement, and the passage of time.” In keeping with these themes, some sculptures are mounted on the walls, others hang from nails, and one is suspended (securely) from the gallery’s ceiling. Included in Lost and Found are half-formed sentences and fragments of language, ranging from hoary aphorisms to head-scratching verses (“I Can’t Hear You With Your Pants On”) that Conley has written in wax and then cast in bronze.
While the exhibit’s title may also refer to the dues an artist pays to realize their potential, the installation of so much work within a relatively small space is a pleasure to navigate and feels as free as Conley’s imagination. Remember that blow torch? Well, Lost and Found will have you admiring how Conley can turn such unforgiving alloys into complex shapes and patterns filled with alchemical energy that seem to dance before your eyes.
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