At Dress for Success and Women of Wardrobe's annual Summer Soiree, generously hosted by Tootises, fashion-forward attendees dressed in pretty pastels, bold patterns and lots of ruffles — many designed by Houston's Hunter Bell, who showed off her fall line alongside jewelry by Claudia Lobao. Chairs Karishma Asrani, Courtney Campo, Allie Danziger and Melissa Sugulas welcomed guests to the event, which toasted the 20th anniversary of Dress for Success, and raised more than $20,000 for the org.
Thrive & Inspire: At Orion, O’Brien and Patel's Focus Is ‘Families We Transport Every Day’
Mar. 6, 2023
DESCRIBE YOUR HIGHLIGHT of 2022. A continuation of our values, our leadership within the industry and the commitment to quality that our customers have come to expect. We remain on a growth trajectory within Houston and are happy to continue to expand our customer base by providing quality care.
How did you lead through Covid and adapt for success? As an EMS company, any public health emergency places us squarely in the spotlight. While this may seem daunting, being ready and able to handle any medical needs for our community is a pillar of ORION. Our friends and neighbors were hurting, and we made a commitment to be there for them, just as we have for the last 15 years. During these last two years, ORION’s leadership team ensured that our medical personnel were fully trained on the latest guidelines in patient care, and we frequently consulted with the leading medical and government authorities. The core mission of ORION did not change: to provide professional, compassionate medical care to every patient.
How did your career journey lead you to EMS? Throughout my life, I have challenged the status quo of various industries. To me, the most insidious thought for any organization is, “That’s the way we’ve always done it.” In my career, I’ve consistently rejected the concept that an organization has reached its ceiling of potential impact. Having owned several businesses, my primary strategy has been to identify new efficient and customer-friendly ways to function. My decision to enter EMS was no different; I saw an industry that was too crowded (from a competition standpoint) and barely acknowledging the needs of the people it was supposed to be serving. I founded ORION to be the premier EMS company in Houston by returning the focus of our work to where it should always be — the families that we transport every day.
What’s “the end game” for ORION? The “end” is also our “beginning”: our staff and our patients. Every decision I make with our leadership team is focused on providing the best medical care possible in every transport. We are providing the Houston region with safe, reliable care for their loved ones while showing the public, and the EMS industry, what an ambulance service should be.
Describe ORION’s “win-win strategy” in the community. Our strategy centers on people — our staff, our hospital clients, and our patients. The EMS industry is so unique because, by definition, people come to us at difficult moments. ORION has a reputation for not only the quality of care we provide, but in the kindness and empathy shown by each employee. We would not have existed in this industry for as long as we have without being a bright light for the people of Houston when they need us.
What are your favorite aspects of your team? Without question, my favorite aspect is that ORION’s leadership team is entirely “homegrown.” Beginning with Vice President Sumi Patel, every senior leader started their career with ORION at a different level and has earned promotion to their current role. Those shared experiences create exceptionally strong bonds between us, and it ensures that we come to work focused on the same goals each day. Sumi has been standing with me since the beginning of ORION 15 years ago, and her commitment to excellence is, truly, unparalleled.
What makes you excited for 2023? The year 2023 is shaping up to have the same dynamic aspects that impact all EMS companies across the industry. We are excited that our stability in the marketplace, the leadership that guides our company and our continued quality of service will carry us through any challenges that may arise.
From Your Site Articles
Keep Reading
Show less
WITH A GOAL of ensuring access to quality healthcare for underserved families in Houston’s East End, El Centro de Corazón has been making a difference for 30 years. Its annual Making a Difference luncheon, this year chaired by Vicky Dominguez with honorary chairs Leisa Holland Nelson Bowman and Leila Perrin, raised more than $150,000.
Emceed by Cyndy Garza Roberts, the River Oaks Country Club affair honored Michele Leal Farrah for her commitment to El Centro and similar causes all over Houston. The organization’s CEO, Marcie Mir, thanked supporters and shared why El Centro must still expand its services to reach more Houston residents. Notably, 74 percent of El Centro’s 12,000-plus patients live at or below federal poverty level ($31K annually for a family of four) and more than half are uninsured.
Then Stephanie Ramos gave the keynote address; the ABC News correspondent and Army Reserve Major spoke about channeling inner strength to make a bigger impact.
Andrea Godea, Larry Savala, Amalia Savala
Sippi Khurana and Donae Chramosta
Blanca Lopez, Julie Garza, Hoda Sana
Shelley Ludwick and Elvia Taylor
Elizabeth Ramos, Marcie Mir and Michele Leal
Esmeralda De la Cruz, Lorena Gomez, Vicky Dominguez
Neena Arora, Diana Grair, Kavon Young
Maria Smith, Diana Ospina
Mari Trevino Glass and Cinthya Reade
Evelyn Leightman, George Connelly, Helen Perry
George and Michele Farah
Lisa Wilmore, George Connelly
German Ibañez, Melanie Rodriguez
Linda Flores Olson, Vicki Luna, Graciana Garces, Jorge Gonzalez
Jan Mendenhall, Xochitl Ljuboja, Miriam Zatarain
Jolene Trevino and Vicki Luna
John Cisneros, Marco Perez
Lisa Wilmore, Ed Emmett and Leisa Holland Nelson Bowman
From Your Site Articles
- THI’s New Artificial Heart Saves Patient’s Life, Furthers Med Center’s Heart-Surgery Lore ›
- ZaZa Lunch Promises to 'Make a Difference' for Houston's East End ›
Related Articles Around the Web
Keep Reading
Show less
This Weekend: Axiom Quartet Plays Contemporary-Classical Concert in the Heights — and Doesn't Play It Safe
Oct. 3, 2024
ONE CANNOT ACCUSE Houston’s Axiom Quartet of playing it safe. When it comes to exploring the outer limits of string quartet repertoire, engaging audiences who don’t normally attend classical music concerts, and putting in the collective time necessary to nail the gnarly idiosyncrasies of 20th- and 21st-century composers, Axiom continues to walk the walk as they talk the talk.
They’re a dapper bunch; relatively conservative in appearance. You’ll never see founding member cellist Patrick Moore, violist Katie Carrington, or violinists Timothy Peters and Matt Lammers rocking a rainbow mohawk or dressed in studded leather jackets onstage.
Instead, the quartet, who have weathered some recent changes in personnel, embraces an unpretentious, hip-to-be-square attitude, engaging their audiences in down-to-earth language while bringing great classical music to unexpected places, be it a pizza parlor, George Bush Intercontinental Airport, or literally underground at Cave Without a Name in the Texas Hill Country.
On Sunday, Oct. 6, Axiom opens its '24-'25 season above ground at Lambert Hall in the Heights with Risky(er) Business, an intense, historically informed concert that explores the sounds of dissent. The program includes Dimitri Shostakovich’s String Quartet No. 2 and the American premiere of Ukrainian-born composer Nikolai Roslavets’ recently discovered and unrecorded String Quartet No. 5.
Roslavets, a cantankerous modernist who nevertheless wholly embraced the experimental innovations of his time, composed this his final string quartet in the early 1940s, toward the end of his life, and in a decade when his music was officially repressed. Thanks to the efforts of dedicated musicologists and ensembles like Axiom, the extent of Roslavets’ repertoire and contributions to contemporary music are finally coming to light. (On Sunday, Axiom will unpack Roslavets’ biography and life under totalitarianism for the Lambert audience.)
Axiom describes Shostakovich’s second string quartet as “a now-celebrated masterpiece written with feverish frustration … giving voice to the Russian people through a transformed folks song.” Musicologists believe Shostakovich used the string quartet as a platform to communicate, albeit in cryptic, even contradictory language, his true feelings regarding Soviet censorship, oppression, and violence.
The second movement of his String Quartet No. 2 is quintessential Shostakovich, with its impassioned recitatives and romantic folk melodies ascending over inverted dominant seventh chords that sit undisturbed like pools of black water.
By the time the movement’s haunting and dissonant chorale appears, you can almost imagine what it must have been like to compose music under Stalin, a time when art was politicized to the point of absurdity, and Shostakovich found himself living a life of relative safety under totalitarian scrutiny.
From Your Site Articles
- Next-Gen Classical Musician Krempasky Stars on Album Composed by Her Fave Prof ›
- Houston Composer Orchestrates Musical Suite for Dan Brown’s New Kids Book ›
- In His Quest to Make Composing Music More Approachable, Andrew Schneider Scores with New Record Release ›
- ‘The Polish Duo’ Debuts This Weekend: 'Not Just Sausage and Kolaches,’ Says Violinist of Her Native Land ›
- This Weekend: Mexican Music, ‘Not Just Mariachi and Salsa,’ Gets Amplified ›
- Celebrating 10 Years, Axiom Quartet Navigates the ‘Complexity of Simplicity’ ›
Related Articles Around the Web
Keep Reading
Show less