At Dress for Success and Women of Wardrobe's annual Summer Soiree, generously hosted by Tootises, fashion-forward attendees dressed in pretty pastels, bold patterns and lots of ruffles — many designed by Houston's Hunter Bell, who showed off her fall line alongside jewelry by Claudia Lobao. Chairs Karishma Asrani, Courtney Campo, Allie Danziger and Melissa Sugulas welcomed guests to the event, which toasted the 20th anniversary of Dress for Success, and raised more than $20,000 for the org.
Celebrating Music as an Outlet, Singer-Attorney-Advocate Among Artists Performing at ReelAbilities Benefit
Aug. 31, 2023
ON THURSDAY, SEPT. 7 at the Midtown Arts & Theater Center Houston (MATCH), composer David Harris takes a break from his job as a financial consultant to present An Evening of Original Jazz Benefitting ReelAbilities Houston, a special concert of music from Harris’ new album You Loved Me Then performed by several of the city’s most talented and in-demand jazz musicians and singers.
The annual ReelAbilities Houston Film & Arts Festival promotes inclusion by celebrating the lives, stories and talents of people with disabilities, through free public film screenings, lectures, concerts, and art exhibitions. “David’s generous idea to benefit the JFS Houston Alexander Institute for Inclusion’s ReelAbilities Film & Arts Festival came through his own understanding of music’s power to transcend barriers and connect us all,” says Carl Josehart, CEO of Alexander JFS, parent organization of the Institute for Inclusion. “We are grateful to David for sharing both his talent and his heart.”
Taking the stage at MATCH will be vocalist and saxophonist David Caceres, saxophonist and multi-instrumentalist Kelly Dean, ubiquitous bass man David Craig, pianist Paul English, trumpeter David Navarro, drummer Tim Solook, and percussionist Cassio Duarte. Singers Laura Jane Jones, Cantor Vadim Tunitsky, Dee Dee Dochen, and Sashi Nisankarao will lend their voices to Harris’ original songs and lyrics.
Rights and accessibility for people living with disabilities is an issue close to Nisankarao’s heart, as she was born with a vision impairment; she has no vision in her left eye, and just a little bit of central vision in her right. Advances in voice-over and scanning technology has helped Nisankarao with her law studies, and the demands of being an attorney, which requires reading lots of documents. “I’ve been lucky to see how things have changed over the years,” says Nisankarao, who reads and writes braille, but has always learned music by ear. Just a month ago, Nisankarao started a new job as a staff attorney for the non-profit protection and advocacy organization, Disabilities Rights Texas, where she focuses on employment and voting accessibility.
Nisankarao says one of the biggest challenges for people in Houston living with disabilities is the lack of reliable transportation, including public transportation and safe sidewalks. “But Houston has made a lot of strides,” says Nisankarao. “The local government is very receptive to the disabilities rights movement.” As an example, she lauds countywide voting as a helpful way for people who have mobility issues to participate in elections
At MATCH, Nisankarao will sing a ballad composed by Harris titled “I’d Like to Go There,” which she describes as a love song. “The lyrics are very well written and poetic,” says Nisankarao, who has been singing since she was three, and whose repertoire ranges from gospel to blues to Coldplay. “This’ll be the first time I’ve sung something like this for ReelAbilities.” Interestingly, in Houston, there are a lot of attorneys who are also musicians, Steven Higginbotham of The Wheel Workers being just one example. Nisankarao laughs when asked, is this a thing?
“I think it is so important when you do work in law, medicine, or engineering — these very technical careers — that you have a creative outlet,” says Nisankarao, who knows lawyers who paint or do theater. “It’s like a stress reliever. And I think it ultimately helps you in your profession, because it clears your mind.”
Keep Reading
Show less
THOUGH NOW BASED in Fayetteville, Ark., saxophonist and former Houstonian Alisha Pattillo will always be connected to H-Town and its jazz community. On her brand new album Chromazone, Pattillo pays tribute to that connection with a program of alternately groovy, mellow, and scorching tunes pulled from her record collection, many recognizable to even the most casual jazz fan, and performed by some of the finest musicians in the city. “I formed great friendships with world-class musicians when I lived in Houston,” says Pattillo, who often returns to the city on weekends to play high-end private events with Avondale Entertainment. “It’s a big city, with a vast amount of talent.”
Recorded at Wire Road Studios and produced by Pattillo, the album’s core combination of tenor saxophone, guitar, bass, and drums was recorded live in the studio in one smooth five-hour session. To preserve that initial wave of energy, other instruments, including percussion and keyboards, were overdubbed later. “When I started scheming on a concept for this album, I decided to put my Houston dream-team together,” says Pattillo. “I chose musicians who I respect, who are versatile, and whose company I enjoy as much as their playing.” The “dream team” on Chromazone includes guitarist Greg Petito, keyboardist Andrew Lienhard, bassist David Craig, and drummer Gavin Moolchan. Brian Fincher is featured on brass winds, and Reinaldo Araujo handles percussion and some vocalizing on Jorge Ben’s “Mas Que Nada,” a tune made famous by Brazilian bandleader Sérgio Mendes.
The album takes its name from the first track, a “shred fest” composed by guitarist Mike Stern for his breakout album Time in Place (1988), featuring the late great Michael Brecker on saxophone. Panned hard left and right, Pattillo and Petito navigate the tune’s labyrinthian melody, phrasing together as if they were one instrument, before splitting off for some burning but all-too-brief soloing. (We need to hear this band play this live, Alisha!) Perhaps surprisingly, Pattillo chooses to follow this track with flugelhorn master Chuck Mangione’s “Feels So Good,” which speaks to the range of music she loves to play.
“I guess I’m the thread,” says Pattillo when asked what connects the tunes she selected for Chromazone. “I went hunting through my collection searching for material that has a recognizability factor, is enjoyable to listen to, and would translate well on tenor.”
Born in Australia, Pattillo grew up in Singapore, where her parents worked in the oil industry. She caught the music bug at age five after hearing a family friend play the saxophone, and soon started on recorder, then clarinet, before beginning lessons on saxophone at age 11. At age 16, unbeknownst to her parents who had relocated to Houston and left their daughter behind in boarding school, Pattillo was sneaking out at night to perform with bands in Singapore’s nightclubs and bars. She played rock, funk, and groove-oriented jazz tunes, which formed her taste and aesthetic as a multifaceted musician. After earning a bachelor’s in music in Jazz Saxophone and Education Preparation from the Queensland Conservatorium of Music in Brisbane, Australia, Pattillo decided to join her family in Katy and see what kind of opportunities there were for a working musician. Being a seasoned player, she found work immediately in Top 40 bands, dropped in on jazz and blues jam sessions, and first met some of the musicians who appear on Chromazone.
While there are no immediate plans for an album release party, Pattillo is pleased to have Chromazone out and available across all streaming platforms, and when not gigging, enjoy the relatively kinder weather in Northwest Arkansas. When asked if she has any advice for other hard-working musicians, Pattillo’s answer is succinct. “Start a project, and see it through,” says Pattillo. “Don’t get distracted by others. Consistency and discipline will get you where you want to go.”
Keep Reading
Show less