At Dress for Success and Women of Wardrobe's annual Summer Soiree, generously hosted by Tootises, fashion-forward attendees dressed in pretty pastels, bold patterns and lots of ruffles — many designed by Houston's Hunter Bell, who showed off her fall line alongside jewelry by Claudia Lobao. Chairs Karishma Asrani, Courtney Campo, Allie Danziger and Melissa Sugulas welcomed guests to the event, which toasted the 20th anniversary of Dress for Success, and raised more than $20,000 for the org.
Reflecting on Losses from the Winter Street Studios Fire, Erika Alonso Pops Up with New Paintings
Sep. 5, 2023
BASED IN HOUSTON, Cuban-American painter Erika Alonso is a self-taught, self-described “painterly painter,” with a playful and very idiosyncratic take on abstract expressionism, mark making, and automatism, where the artist works quickly and intuitively, relying upon the subconscious to guide the artistic process. Her work can be found in numerous private collections across the United States and Europe, including that of beloved Houston collector and art fanatic Lester Marks. On Friday, Sept 8., from 7-9pm at Lanecia Rouse Tinsley Gallery, Alise Art Group's Art House presents Alonso’s solo exhibition Birds Are People Too (And Other Thoughts . . . ).
It’s a new collection of attractive black and white acrylic paintings, filled with squiggly lines and mysterious shapes that will indeed remind the viewer of birds and the natural world, as well as the jumpy, interior life of an artist blessed and cursed with racing thoughts. Alonso’s paintings aren’t exactly sedate, but they don’t signal danger.
Created in the months after the tragic and senseless Winter Street Studios fire bombing, which destroyed Alonso’s studio and several of her artworks, Birds Are People Too is a testament to Alonso’s resiliency, and the innate ability of artists to bounce back even after unimaginable loss. (Nearly 100 artists were impacted by the fire.)
“These experiences led me back to where I started as an artist: the simplicity and contrast of black and white,” says Alonso in a statement on her Instagram feed. “What color once concealed is now displayed in plain sight — the figures, birds, and creatures in my work step forward, confronting you in all their expressiveness.”
This exhibit is a special, one-night-only “pop-up” experience, a unique model presented by AAG.
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This Weekend: Bayou City Funk and Popular Austin Group Join Forces for Spirited Show at Heights Theater
Sep. 5, 2023
THE WORD “FUNK” has been around a long, long time. In the mid-1950s, New Orleans drummer Earl Palmer popularized the word as a musical term when he instructed musicians on recording dates to “play a little funkier.” In his book Flash of the Spirit: African and Afro-American Art and Philosophy, historian Robert Farris Thompson goes back even further, and traces the origin of the word “funky” to the Ki-Kongo word lu-fuki, meaning “positive sweat,” an olfactory term used to praise an individual for the integrity of their art.
High praise and positive sweat will no doubt be in the air when the seven-piece, Houston-based ensemble Bayou City Funk and Austinites Nik Par and The Selfless Lovers bring their high-energy, head-bobbing, butt-shaking brand of dance-floor-friendly retro-funk to Heights Theater, Friday, Sept. 8.
Bayou City Funk
Bayou City Funk keyboardist and guitarist David McJunkin defines “funk” as a universally enjoyed musical flavor that promotes freedom of movement and positive moods. “Funk can effectively convey human emotions like happiness, excitement, frustration and melancholy,” says McJunkin, who, like his fellow bearded Bayou funksters has a penchant for stylish facial hair. That said, when Bayou City Funk takes the stage — with two guitars, bass, keyboards, drums, and a tight, three-piece horn section — the first order of business is to get the crowd moving and “up offa that thing” (to quote James Brown). Friday’s show will include funk classics by Earth Wind and Fire, The J.B.s, and Dr. John, as well as some fresh new originals; the band recently crowdsourced more than $25,000 from its loyal fanbase to record a new album at Sonic Ranch Studio in Tornillo, Texas, which will be distributed by Sony.
Nik Parr and The Selfless Lovers have been touring since 2018, opening for such heavies as The Black Pumas, The Suffers, and New Orleans brass bands Soul Rebels and Rebirth Brass Band. Led by the charismatic Parr, who possesses a full-bodied voice and formidable skills on both alto saxophone and keyboards, the band is famous for taking the stage with no set list, and instead choosing what to play based on the vibe and energy of the crowd.
Parr blows a mean sax, and looks damn good doing it, but his piano playing is on a whole other level and showcases his affinity for all styles music born in the Deep South. “It’s totally Nicky Hopkins (Rolling Stones), Professor Longhair, and Dr. John, with some Billy Preston on the funky stuff,” says Parr of his multifaceted approach to the keys. “I started learning to play piano by ear when I was ten years old, picking up songs by listening to my dad play, and listening to his rock and blues collection from the ’60s and ’70s.”
Like Bayou City Funk, Nik Parr and The Selfless Lovers have new music to share. They recently spent time at Rio Grande Studios in Albuquerque, NM, recording some new singles, and their set will feature songs from their soon-to-be-released album, Promised Land.
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