At Dress for Success and Women of Wardrobe's annual Summer Soiree, generously hosted by Tootises, fashion-forward attendees dressed in pretty pastels, bold patterns and lots of ruffles — many designed by Houston's Hunter Bell, who showed off her fall line alongside jewelry by Claudia Lobao. Chairs Karishma Asrani, Courtney Campo, Allie Danziger and Melissa Sugulas welcomed guests to the event, which toasted the 20th anniversary of Dress for Success, and raised more than $20,000 for the org.
ALWAYS ONE OF the most posh spectacles of the fall season, Opening Night at the Houston Symphony was an evening of taut cultural presentations and glamorous socializing.
The fabulous affair began with Champagne and hors d’oeuvres at a freshly renovated Jones Hall before a performance featuring Juraj Valčuha leading the large, stage-filling orchestra and Houston Symphony Chorus — including a special performance by soprano Erin Morley. The night shifted into a new gear after the show, as some 350 patrons were ferried on luxury busses to a regally decked-out Corinthian for a lavish dinner, per the custom.
“The décor, created by The Events Company, drew inspiration from Paris,” noted a Symphony rep. “Tables, dressed in French-inspired blue linens filled the room, and were topped with candelabras and varying high and low floral centerpieces in shades of pink and red with hints of blue and green. Additionally, an Eiffel Tower adorned with florals accompanied the red carpet.”
The rep described the menu. “Dinner began with a bib lettuce wedge salad with toasted walnuts, grilled pear, pickled celery, radishes, crumbled roquefort and moutard de meaux vinaigrette.” The entrée was grilled sea bass with saffron beurre blanc and fennel-olive vierge, spaghetti squash, jumbo asparagus and cute mini-muffins of potato and dill. Thanks to a long and enduring partnership with Lindy and John Rydman of Spec’s Wine, Spirits, & Finer Foods, wine selections for the meal were first-rate. For dessert: a chocolate terrine with crème anaglaise, almond tuile and melon sorbet.
Mariglyn and Stephen Glenn were chairs for the lovely night, in which performing arts champion Beth Madison was honored. ConocoPhillips was a major sponsor for the event for the 38th year. VIP guests included Margaret Alkek Williams, Bobbie Nau, Betty and Jesse Tutor, Suresh and Renu Khator, Hallie Vanderhider, Bobby Dees, Janet Gurwitch and Ron Franklin.
Hallie Vanderhider and Bobby Dees
Betty and Jesse Tutor
Asley and Peggy Smith and Betsy and Rick Weber
Beth Madison
Suresh and Renu Khator
Janet Gurtwitch and Ron Franklin
Margaret Alkek Williams and Bill Stubbs
Lea and Dee Hunt
Janet Clark, Ginger Clark
Wayne and Tammy Nguyen
Bill and Brittany Bullock
Tammie and Charles Johnson
Mariglyn and Stephen Glenn
Darlene Clark and Edwin Friedrichs
Joan and Bob Duff
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THE TOWERING, INDUSTRIAL grain silos at Sawyer Yards are the site of The Sleep of Reason: The Fragmented Figure, Sculpture Month Houston’s seventh annual group show of provocative sculptural and installation art. The dark, dank, cylindrical silos are the antithesis of the traditional “white cube” gallery space, and each year challenge and inspire the participating artists to experiment and expand their creative vision, with results that range from strange and disturbing, to humorous and pretty weird.
On view Oct. 7 through Dec. 2, The Sleep of Reason includes works by Frances Bagley, Rabea Ballin, Jimmy Canales, Elizabeth Chapin, Colette Copeland, Jeff Gibbons, Suguru Hiraide, Allison Hunter, Jessica Kreutter, Yuliya Lanina, Nadin Nassar, Steve Parker, Kris Pierce, Hugo Santana, Sarah Sudhoff, James Sullivan, and the late great Jesse Lott, who passed away at age 80 last July.
Upon entering The Sleep of Reason, visitors are encouraged to explore the individual silos and engage with the art at their own pace. All manner of materials are on display, with many artists augmenting their three-dimensional constructions with sound, light, and video. Houston artist Sarah Sudhoff uses photographs and video projections of her body to create startling, three-dimensional images that explore contradictory and harmful societal norms regarding motherhood, healthcare, and physical intimacy. Meanwhile, Elizabeth Chapin’s mixed-media portraits on stuffed canvases use fringe, silk, and neon to transform what would be a traditional flat image into a wild, unruly, and very recognizably “Southern” pantheon of three-3D belles and buds. Meanwhile, lurking somewhere in the silos is one of Jesse Lott’s iconic, large-scale, humanoid figures, created out of wire and other found objects, standing in tribute to Lott’s legacy and as an oracle, its presence offering the viewer a way out of the pervasive angst and anxiety of our age.
The Sleep of Reason coincides with Sculpture Month Houston’s fourth Biennial Festival, where over 40 galleries and art spaces across Houston are invited to exhibit a range of three-dimensional art. For more details, and information about upcoming curator and artist tours and musical performances, follow Sculpture Month Houston or visit their website.
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