At Dress for Success and Women of Wardrobe's annual Summer Soiree, generously hosted by Tootises, fashion-forward attendees dressed in pretty pastels, bold patterns and lots of ruffles — many designed by Houston's Hunter Bell, who showed off her fall line alongside jewelry by Claudia Lobao. Chairs Karishma Asrani, Courtney Campo, Allie Danziger and Melissa Sugulas welcomed guests to the event, which toasted the 20th anniversary of Dress for Success, and raised more than $20,000 for the org.
NEWS OF RECENT commissions by Houston artist Paul Fleming led us to several photos of his eye-catching, large-scale wall installations, many of which are installed in the sunlit interiors of some of the city’s most beautiful homes and apartment communities, including the resident lounge of The Southmore, located just a few blocks from the Museum of Fine Arts, Houston.
While Fleming’s Houston representative Barbara Davis Gallery describes his work as “process driven,” the results are far more engaging and attractive than most art described in such terms. It’s easy to see why such superstar interior designers like Houston’s own Lucinda Loya are so enamored with his work.
A Fleming installation is a carefully composed collection of dozens of small circles, rectangles, and other simple shapes, each cast in hydrocal and translucent layers of pigmented resin varying in size, depth, and opacity. These small — sometimes very small — crystalline-like stones may be arranged formally, in concentric circles or grid-like lines, but more often are positioned to resemble the rhythmic pattern of a flock of birds seen at a distance or the temporal nature of Houston’s everchanging dramatic cloudscapes. The installations seem to ripple and swell, activating the space within the room while playing with the viewer’s ocular perception.
Paul Fleming lives and works in Houston, Texas, and is featured among 62 artists in Catherine Anspon’s 2010 limited-edition book Texas Artists Today. His solo exhibitions include shows at Barbara Davis Gallery and Lawndale Art Center. Fleming’s group exhibitions include Sergio Tossi Arte Contemporanea, Florence, Italy; AR Contemporary, Milan, Italy; The Art League Houston, Texas; University of Houston, Houston, Texas and the Milwaukee Institute of Art and Design.
A detail of 'Ballad II'
'Harbor (for Miles)'
'Pathways (Proposal 5/6)'
'Ballad II'
Related Articles Around the Web
Keep Reading
Show less
Through Lenses of 12 Black Artists, CAMH Presents Visual History of Houston’s Freedmen’s Town
Jan. 2, 2024
IN THE SUMMER of 1865, less than two months after the end of the Civil War, thousands of former slaves, or “freedpeople,” from the Texas countryside and every state in the former Confederacy made the pilgrimage via the San Felipe Trail to Houston’s Fourth Ward and established Freedman’s Town — a neighborhood for families determined to build and establish a thriving community as the country entered the Reconstruction era. Nearby cypress trees provided wood to construct family homes and handcrafted bricks were used to create the neighborhood’s streets. In June 2021, the Houston City Council voted to make Freedmen’s Town the city’s first official Heritage District, which allows nonprofits to help fund the restoration and care of the community’s historic structures, including those brick streets.
Bricks are a recurring visual motif in THIS WAY: A Houston Group Show, a group show of paintings, photographs, videos, and mixed-media works by 12 Black artists that explore the history of Freedman’s Town, and life as it is lived today in this historic community. On view at the Contemporary Arts Museum, Houston through March 17, the exhibit is part of the CAMH’s new partnership with Houston Freedman’s Town Conservatory (HFTC) and is curated by Mich Stevenson, with support from fifth-generation Freedman’s Town resident Charonda Johnson.
The participating artists include Johnson, the late artist and designer Imhotep Blot, Colby Deal, Nahtan (Nate Edwards), Dom Elam, Amarie Gipson, Priscilla T. Graham, Gem Hale, Berlin, Jaylen Pigford, Irene Antonia Diane Reece, and DJ and musicologist Jason Woods, also known as Flash Gordon Parks. Each artist was granted a research fellowship to create a work informed by the archives of Freedman Town’s African American Research Center and oral histories from the community’s residents.
The art on display ranges from large-scale installations to smaller intimate works, some relatively straightforward, others more head-scratching and cryptic, although nothing is presented without helpful historical background. Johnson’s miniature, mixed media work of found objects, including what looks like balls of cotton in the riders seats of a small Ferris wheel, pays tribute to the De-Ro-Loc (colored spelled backward) Carnival, which was established by Black Houstonians in 1899 in response to the whites-only No-Tsu-Oh (Houston spelled backward) autumn festival. Woods’ installation “The Ebony Bar” recreates the 1950s-era Freedman’s Town Tavern owned and operated by George Edward Johnson, and includes a bar, signage, and a vintage jukebox listing classic 45” singles by Bubbha Thomas and The Lightmen, soul-jazz guitarist Melvin Sparks, Masters of Soul, and — humorously positioned under “Fox Trots and Rumbas” — DJ Screw’s classic mixtape “Robin St. 4 Life.” Meanwhile, Nate Edward’s poetic video “Hold It Close, Don’t Forget” features four different generations of Freedman’s Town Residents clinging to and suspended in the air by floating bricks.
In a time when basic, fundamental historical facts are being threatened with erasure, THIS WAY is not only a celebration of regional identity and pride but an opportunity for Houstonians and tourists visiting the Museum District to learn more about and connect with our nation’s collective history.
Installation view of 'THIS WAY: A Houston Group Show' at Contemporary Arts Museum Houston, 2023. (Photo by Sean Fleming)
Installation view of 'THIS WAY: A Houston Group Show' at Contemporary Arts Museum Houston, 2023. (Photo by Sean Fleming)
Installation view of 'THIS WAY: A Houston Group Show' at Contemporary Arts Museum Houston, 2023. (Photo by Sean Fleming)
From Your Site Articles
- Great Eight! Get Our Picks for Arts and Culture for the Holidays and the New Year ›
- Houston Restaurateur Stirs Inaugural ‘Chopd & Stewd’ Fest to Celebrate West African Culture ›
- Art Really Is a Tool for Health and Healing — and This Only-in-Houston Conference Will Prove It ›
- Stitching Together Magazines and Textiles, Popular El Paso Artist Hangs First Museum Show at CAMH ›
- A Famous Artist’s Hoop Dreams Come to Life at CAMH — Including a Fully Playable Roundball Court! ›
- Booted From its Longtime Building, Artist Collective Seeks a New Home for ‘Life-Affirming’ Work - Houston CityBook ›
Related Articles Around the Web
Keep Reading
Show less