At Dress for Success and Women of Wardrobe's annual Summer Soiree, generously hosted by Tootises, fashion-forward attendees dressed in pretty pastels, bold patterns and lots of ruffles — many designed by Houston's Hunter Bell, who showed off her fall line alongside jewelry by Claudia Lobao. Chairs Karishma Asrani, Courtney Campo, Allie Danziger and Melissa Sugulas welcomed guests to the event, which toasted the 20th anniversary of Dress for Success, and raised more than $20,000 for the org.
Leadership in Action: ‘Family, Community and Spiritual Connection’ Drives Success for Henry Richardson
Al Torres
Oct. 3, 2024
How did you get to where you are today? The present moment is a combined history of my family, my time as an athlete, my passion for learning, and my desire to see the world be better. I grew up as a successful springboard and platform diver, however, an injury caused me to seek alternative treatments to heal my body. In that process, I discovered the power of yoga, exercise, meditation, mindset, and nutrition. This holistic approach eventually led me to open a Pilates and cycling studio called DEFINE body & mind. I opened studios around the nation, and after selling most of my business between 2017-2019, I was ready to explore how I could make an even greater impact on the wellbeing of our community. In 2023, I started actively working on a brand new multi-family/apartment concept called, Define Living. The idea focused on offering health and wellness services within a beautiful apartment setting to increase the wellbeing of our residents. Having a strong sense of community is the number one factor in living a happy life, so why not build a community where daily fitness, cooking classes, and social connection are the norm? We opened Define Living in March of 2024, and we couldn’t be happier with how things are being received. We are already looking at building more concepts like this in the Houston area and beyond.
Who do you credit? I credit my family, my community, and my spiritual connection. Houston is a place where opportunities exist. I did my MBA at Rice University and my Master’s in Applied Positive Psychology at UPenn. I am so grateful for the enriching communities of Rice and UPenn where they genuinely want to see their students thrive. These institutions have become my springboard from which I feel I could jump with the knowledge and confidence to launch the concept of Define Living. And, without any doubt, I give credit to my family and friends. I used to get a lot of inquisitive looks when I would talk about launching a fitness brand or a franchise brand. However, I now feel very loved and supported by the people closest to me when I tell them about a new project that I am focusing on. They can sense my passion, and that is contagious.
What lessons have you learned that might enlighten and inspire others?
Here are several:
1) Swim in your own lane.
2) Learn as much as you can about your industry while getting paid by someone else.
3) Starting your own business is risky, time-consuming, and challenging, but your passion will take you far.
4) It’s okay to be skeptical, but avoid becoming cynical.
5) As Mother Theresa stated, “What you spend years building, someone could destroy overnight; build anyway.”
What’s new in your life or work that you’re excited about? I am so happy with how well our first Define Living has been received. I worked hard to build a program that was transforming and accessible. To know that we are attracting a group of people who are diverse in every sense of the word while elevating their wellbeing is incredibly motivating for me each day. This inspires me to bring this concept nationwide and add more health and wellbeing to communities across the globe!
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WITH A GOAL of ensuring access to quality healthcare for underserved families in Houston’s East End, El Centro de Corazón has been making a difference for 30 years. Its annual Making a Difference luncheon, this year chaired by Vicky Dominguez with honorary chairs Leisa Holland Nelson Bowman and Leila Perrin, raised more than $150,000.
Emceed by Cyndy Garza Roberts, the River Oaks Country Club affair honored Michele Leal Farrah for her commitment to El Centro and similar causes all over Houston. The organization’s CEO, Marcie Mir, thanked supporters and shared why El Centro must still expand its services to reach more Houston residents. Notably, 74 percent of El Centro’s 12,000-plus patients live at or below federal poverty level ($31K annually for a family of four) and more than half are uninsured.
Then Stephanie Ramos gave the keynote address; the ABC News correspondent and Army Reserve Major spoke about channeling inner strength to make a bigger impact.
Andrea Godea, Larry Savala, Amalia Savala
Sippi Khurana and Donae Chramosta
Blanca Lopez, Julie Garza, Hoda Sana
Shelley Ludwick and Elvia Taylor
Elizabeth Ramos, Marcie Mir and Michele Leal
Esmeralda De la Cruz, Lorena Gomez, Vicky Dominguez
Neena Arora, Diana Grair, Kavon Young
Maria Smith, Diana Ospina
Mari Trevino Glass and Cinthya Reade
Evelyn Leightman, George Connelly, Helen Perry
George and Michele Farah
Lisa Wilmore, George Connelly
German Ibañez, Melanie Rodriguez
Linda Flores Olson, Vicki Luna, Graciana Garces, Jorge Gonzalez
Jan Mendenhall, Xochitl Ljuboja, Miriam Zatarain
Jolene Trevino and Vicki Luna
John Cisneros, Marco Perez
Lisa Wilmore, Ed Emmett and Leisa Holland Nelson Bowman
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This Weekend: Axiom Quartet Plays Contemporary-Classical Concert in the Heights — and Doesn't Play It Safe
Oct. 3, 2024
ONE CANNOT ACCUSE Houston’s Axiom Quartet of playing it safe. When it comes to exploring the outer limits of string quartet repertoire, engaging audiences who don’t normally attend classical music concerts, and putting in the collective time necessary to nail the gnarly idiosyncrasies of 20th- and 21st-century composers, Axiom continues to walk the walk as they talk the talk.
They’re a dapper bunch; relatively conservative in appearance. You’ll never see founding member cellist Patrick Moore, violist Katie Carrington, or violinists Timothy Peters and Matt Lammers rocking a rainbow mohawk or dressed in studded leather jackets onstage.
Instead, the quartet, who have weathered some recent changes in personnel, embraces an unpretentious, hip-to-be-square attitude, engaging their audiences in down-to-earth language while bringing great classical music to unexpected places, be it a pizza parlor, George Bush Intercontinental Airport, or literally underground at Cave Without a Name in the Texas Hill Country.
On Sunday, Oct. 6, Axiom opens its '24-'25 season above ground at Lambert Hall in the Heights with Risky(er) Business, an intense, historically informed concert that explores the sounds of dissent. The program includes Dimitri Shostakovich’s String Quartet No. 2 and the American premiere of Ukrainian-born composer Nikolai Roslavets’ recently discovered and unrecorded String Quartet No. 5.
Roslavets, a cantankerous modernist who nevertheless wholly embraced the experimental innovations of his time, composed this his final string quartet in the early 1940s, toward the end of his life, and in a decade when his music was officially repressed. Thanks to the efforts of dedicated musicologists and ensembles like Axiom, the extent of Roslavets’ repertoire and contributions to contemporary music are finally coming to light. (On Sunday, Axiom will unpack Roslavets’ biography and life under totalitarianism for the Lambert audience.)
Axiom describes Shostakovich’s second string quartet as “a now-celebrated masterpiece written with feverish frustration … giving voice to the Russian people through a transformed folks song.” Musicologists believe Shostakovich used the string quartet as a platform to communicate, albeit in cryptic, even contradictory language, his true feelings regarding Soviet censorship, oppression, and violence.
The second movement of his String Quartet No. 2 is quintessential Shostakovich, with its impassioned recitatives and romantic folk melodies ascending over inverted dominant seventh chords that sit undisturbed like pools of black water.
By the time the movement’s haunting and dissonant chorale appears, you can almost imagine what it must have been like to compose music under Stalin, a time when art was politicized to the point of absurdity, and Shostakovich found himself living a life of relative safety under totalitarian scrutiny.
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