The Cottages at the Boat Basin
For those wanting to be close to all the action, the harbor is where to stay. The Cottages at the Boat Basin are a row of Quaker-style houses on the slip that juts into the harbor — the closest thing to staying on the water without being on a boat. Renovated this year by Nantucket-based designer Audrey Sterk, each little house is inspired by a whaling ship from a time, 300 years ago, when the island was the busiest whaling port in the world. With a color palette of — what else — deep ocean blue and misty gray, the historic accommodations have been revamped without altering the architecture. Original details, including the vaulted ceiling beams, remain.
Surrounding the Cottages are art galleries and eateries; the adjacent Cru oyster bar has day parties with East Coast prepsters galore.
From here, it’s a picturesque walk along cobblestone streets to Nantucket’s small downtown. Nestled in the maze of shingle-style architecture and Greek revival buildings — take the walking tour from the Whaling Museum for the full story on the marriage of these two styles — are charming shops and ultra-hip restaurants. Located in a former sea captain’s house, stylish Via Mare offers mostly small plates and cool cocktails in environs akin to Houston’s La Colombe d’Or.
Meanwhile, on the northeast end of Nantucket, find The Cottages’ sister property, The Wauwinet. It’s a quieter, but equally scenic, hotel overrun with lush hydrangeas bathed in fresh sea air. The hotel’s restaurant, Topper’s, is overseen by its namesake — an Airedale Terrier — in the form of a large oil painting hung prominently in the dining room. The oysters here are harvested a literal stone’s throw from the restaurant, and the wine program has been annually awarded the Wine Spectator Grand since 1996. It’s the perfect place to enjoy a nice pour overlooking the water, while daydreaming about staying on island forever.
Oysters at Cru
Sankaty Head Lighthouse
Jacob Hilton, a.k.a. Travid Halton, at home in his kitchen, where he enjoys cooking as a form of therapy.
Nevertheless, Hilton’s brand-new Obsessions is a low-key though no less powerful contribution to the concept-album genre. Across 10 tracks, Hilton shares his experiences with childhood trauma and obsessive-compulsive disorder.
He’s joined by several H-Town luminaries, including Geoffrey Muller (bassist for The Suffers and Robert Ellis); Will Van Horn (pedal steel player for Khruangbin and Leon Bridges); Matt Serice (trumpet player for Bayou City Funk and Free Radicals); and Ellen Story (violinist for Slow Meadow and The Broken Spokes). For his part, Hilton is heard playing resonator guitar, dobro, steel-string acoustic guitar, banjo, and piano.
Throughout Obsessions, Hilton sings with a quiet urgency and a range of expression perhaps reminiscent of Jakob Dylan or Iron and Wine, but with a voice that is uniquely his own.
Hilton describes the album’s first two tracks as two halves of a whole: “Little Bayou Boy,” a bucolic homage to childhood, and “Blossom,” about his mother, Tracy Hall, in the throes of a psychotic episode. Hall, who died in 2010, was diagnosed with schizophrenia as a child. In 2016, Hilton went to a screening of a documentary about schizophrenia, and was then inspired to finish “Blossom,” which he began at age 15 to express his conflicting feelings about his mother. “The next day, I sat with my guitar and strummed the first few chords of the song, and the first few lines of lyrics just came out effortlessly.”
Hilton has come to manage the debilitating symptoms of OCD with therapy, sessions with a licensed psychologist, and sticking to a daily routine that includes regular exercise and healthy eating.
While Hilton, who is indeed an archaeologist by day, doesn’t have immediate plans to perform Obsessions live, he can imagine eventually playing it at a house concert, with all of the musicians on the album as special guests. In the meantime, his next four-song EP drops early 2025.
