IT’S BEEN A while (2017 to be exact) since we featured Houston metal sculptor Tara Conley in our inaugural A Day in the Life of the Arts photo essay. That image of Conley in her Montrose studio, dressed in jeans, a long-sleeve flannel shirt, and a welders mask, holding a blow torch and staring down the camera while crouched behind one of her elegant steel sculptures, certainly conveyed the “work” that goes into being a “working artist.”

Since then, Conley hasn’t stopped working. Far from it. This past summer, she had a gallery show at Rockport Center for the Arts, public art displayed at 800 and 820 Gessner buildings in Memorial City, and was part of a group exhibit at Lee College. On Friday, Sept. 20, Houstonians who have been missing Conley should head over to ELLIO Fine Art for Lost and Found, a solo exhibit of Conley’s small and large free-standing bronze, stainless steel, and cast iron sculptures, wall installations and text pieces.

Conley says this new collection ”explores connection, movement, and the passage of time.” In keeping with these themes, some sculptures are mounted on the walls, others hang from nails, and one is suspended (securely) from the gallery’s ceiling. Included in Lost and Found are half-formed sentences and fragments of language, ranging from hoary aphorisms to head-scratching verses (“I Can’t Hear You With Your Pants On”) that Conley has written in wax and then cast in bronze.

While the exhibit’s title may also refer to the dues an artist pays to realize their potential, the installation of so much work within a relatively small space is a pleasure to navigate and feels as free as Conley’s imagination. Remember that blow torch? Well, Lost and Found will have you admiring how Conley can turn such unforgiving alloys into complex shapes and patterns filled with alchemical energy that seem to dance before your eyes.