Houston 'Stands Up and Shows Up,' Crime Stoppers’ Gala Garners More than a Million

CatchLight Group
Houston 'Stands Up and Shows Up,' Crime Stoppers’ Gala Garners More than a Million

Jordan Seff, Brigitte Kalai, Hallie Vanderhider and Rania Mankarious

YET ANOTHER ORGANIZATION threw a million-dollar fundraising event: This time, it was Crime Stoppers of Houston, whose annual gala at the Hilton Americas raised a record-setting $1.04 million, much of which will fund a new Safe Community Research Center.


More than 500 guests joined CEO Rania Mankarious to toast the 41st year of "standing up and showing up" to do something about crime. The night kicked off with a cocktail reception, at which patrons oohed and ahed over the raffle item, an E-Z Go Express S4 golf cart.

Inside the ballroom, folks were seated for dinner and the rest of the program. Matthew McConaughey sent a surprise video message, and gala co-chairs Amy Leibman, Genny McIntyre and Sheridan Williams also spoke to the audience about the importance of protecting the community for generations to come.

The main issue discussed was felony bond reform, and the evening featured an emotional discussion among families of victims who were allegedly killed by defendants released on felony bonds.

Scott and Lindsay Aronstein, Patricia King-Rittter and Tom Ritter

Honoree Dave Ward

Andy Kahan, Lt. Governor Dan Patrick, Amy Leibman and Senator Joan Huffman

Caldwell Flores, Katie Jones and Cherie Flores

Bill Baldwin, Hallie Vanderhider and Fady Armanious

Ramy and Rania Mankarious, Mayor Sylvester Turner and Laura Ward

The colorful cocktail reception

Justin and Krislyn Vickrey

Conversation with special guests Paul Castro, Theresa Seck and Chuck Cook

Parties

Isabel Wallace-Green (photos by Kent Barker and Xavier Mack)

HOUSTON-BORN DANCER AND arts educator Isabel Wallace-Green vividly recalls seeing a performance of Alvin Ailey’s landmark 1960 dance work Revelations as a child, peering over a high balcony in Jones Hall. “The dancers were pretty small!” laughs Wallace-Green, who nevertheless was captivated, especially by a section in Revelations titled “Wade in the Water,” where translucent white, cobalt, and aquamarine cloths are stretched across the stage to evoke baptismal waters and — for African American slaves — the riverbed as a pathway to freedom. “I’d never seen anything like that.”

Keep Reading Show less
Art + Entertainment

FOR ANNA SWEET, the hunger for sugar, carbs, and fat is much like the art world’s hunger for art — especially art made by attractive, colorful, larger-than-life individuals.

Keep Reading Show less
Art + Entertainment