Kendrick Scott (photo by Justin Bettman)

POST-PANDEMIC, HOUSTON-born drummer Kendrick Scott is keeping busy. On March 3, Scott released Corridors, his third album for the iconic jazz label Blue Note Records, with fellow Houstonian Walter Smith III on tenor saxophone and Reuben Rogers on upright bass. Historically, the piano-less trio has inspired several groundbreaking albums in the jazz canon, and Corridors is indeed experimental, though pensive in its mood.

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Art + Entertainment

Alley resident actors (photo by Lynn Lane)

OKAY, THAT COUCH is comfy, and streaming is convenient, but nothing compares to the experience of live, in-the-flesh theater, especially as it is staged and performed at Houston’s Alley Theatre and its resident company of supremely talented actors.

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McKinley and Murrah

GEORGE FRIDERIC HANDEL’S comedic cantata Clori, Tirsi, e Fileno, subtitled Cor fedele in vano speri (“A faithful heart hopes in vain”), tells the story of two shepherds in love with a beautiful nymph. For Ars Lyrica Houston’s Mar. 26 performance of this Baroque “mini-opera,” audiences may be surprised by what is a very contemporary yet historically accurate casting decision: The nymph’s role (Clori) will be sung by countertenor Key’mon Murrah, and soprano Lauren Snouffer and contralto Cecelia McKinley will sing the roles of the love-struck shepherds.

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