Alonso, inset, and her acrylic-on-canvas painting 'Birds'

BASED IN HOUSTON, Cuban-American painter Erika Alonso is a self-taught, self-described “painterly painter,” with a playful and very idiosyncratic take on abstract expressionism, mark making, and automatism, where the artist works quickly and intuitively, relying upon the subconscious to guide the artistic process. Her work can be found in numerous private collections across the United States and Europe, including that of beloved Houston collector and art fanatic Lester Marks. On Friday, Sept 8., from 7-9pm at Lanecia Rouse Tinsley Gallery, Alise Art Group's Art House presents Alonso’s solo exhibition Birds Are People Too (And Other Thoughts . . . ).

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Houston Ballet Principal Karina González as Titania and former Soloist Aaron Robison as Oberon in A Midsummer Night's Dream (photo by Amitava Sarkar, 2014); and González with former Principal Joseph Walsh in Welch's Tu Tu (photo by Ron McKinney, 2010)

STANTON WELCH IS now in his 20th season with Houston Ballet. It’s a cause for celebration, and the Company’s 2023-24 season is exactly that: a celebration of creative storytelling, as well as his and new co-artistic director Julie Kent’s shared commitment to bring top-notch classics to the stage alongside newly commissioned works by emerging choreographers.

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Art + Entertainment

Nik Parr and The Selfless Lovers

THE WORD “FUNK” has been around a long, long time. In the mid-1950s, New Orleans drummer Earl Palmer popularized the word as a musical term when he instructed musicians on recording dates to “play a little funkier.” In his book Flash of the Spirit: African and Afro-American Art and Philosophy, historian Robert Farris Thompson goes back even further, and traces the origin of the word “funky” to the Ki-Kongo word lu-fuki, meaning “positive sweat,” an olfactory term used to praise an individual for the integrity of their art.

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