‘Embrace Changes,’ Says Valobra, Whose Namesake Jewelry Store Has Become a Houston Institution
Jun. 16, 2022
How did you get to where you are today? I had little choice in the matter; I grew up being trained to become the fourth-generation jewelry designer behind my great grandfather, grandfather, and father. It was my duty to carry on the family business and continue the hard work and success they built from nothing, beginning in Torino, Italy in 1905. I was surrounded by jewelry and its craftmanship as a young child and was taught the business from a very young age.
Whom do you credit? As I stand squarely on the shoulders of three great men that ran the company before me, my main motivation is to carry the torch to the next generation by carefully expanding the business, protecting the brand, and maintaining the highest level of ethics and professionality while doing it.
What lessons have you learned that might enlighten and inspire others? Passion and conviction for what you do are going to be of paramount importance for your success. Passion for success may not bring you success, but passion for your work will undoubtedly bring you success.
- Take great care of your client. A relentlessly fanatical approach to customer service is another great key to success.
- Never cease to learn about your business and ways to improve it.
- Don’t fear changes; embrace them and try to anticipate them.
What’s more important in a successful business: seeking the highest profitability or to striving to purvey your clientele with the best values? It is like health and happiness, the two do not exist without the other.
What’s new in your life or work that you’re excited about? The steady progression of custom designed jewelry creations for an ever more sophisticated clientele excites me. It challenges my staff and continues to refine our skills and knowledge. In terms of preparing for the future, my long-term goal is to instill the principles and business values to my next generations that were instilled to me.
What’s your biggest accomplishment as a business owner? Opening successful jewelry boutiques in America thousands of miles away from my comfort zone and making them highly successful. Creating a working environment that is both fun and efficient, cultivating long-term loyalty from clients and staff alike. Continuously curating a sterling reputation and an unequivocally ethical stance.
What’s one of the hardest things that come with being a business owner? Successfully adapting to my business’ ever-changing trends, competing ethically and efficiently in the world of digital content, and constantly creating new designs while delivering value and exclusivity to our clientele.
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Parlor-Game-Inspired 'Hot Bod' Art Show at Quirky Montrose Bookshop Is the Perfect End to Summer
Aug. 13, 2024
THE SUNLIT, COZY, 700-square-foot second floor of Basket Books and Art is the site of Hot Bod, one of the strangest and most intriguing exhibits currently on view in Houston.
Each work in this group show is a collaboration between three different artists, created using the rules of the surrealist parlor game, Exquisite Corpse, or “cadavre exquis” for you Francophiles, in which a player draws on a portion of a sheet of paper, folds the paper to conceal what they’ve drawn, and then passes it along to the next player to do the same. When unfolded, the juxtaposed images can be startling, even bizarre, thanks to the synchronistic nature of the process, and the twisted humor of the artists. (The show’s title sets the vibe for this summertime (hot) exquisite corpse (bod) exhibit.)
To pull this off, Basket Books and Art co-owner Edwin Smalling, a practicing artist with an MFA from Yale, and a purveyor of and advocate for physical media (i.e. books), chose to do it the hard way. After selecting a total of 120 participants, about a third of whom are based in Houston, Smalling initiated a long-distance form of “exquisite corpse” using the venerable, but not always reliable, United States Postal Service.
The artists received a “kit” containing three envelopes each, with a strip of blank paper, postage, and instructions to adhere to the rules of the game and mail their artwork to another artist, and finally back to Smalling. By eschewing the cloud and file-sharing platforms, Smalling hoped to inspire a broader, more inclusive spirit among the artists, and create “a map of the geographic and artistic network that the drawings have traversed on their way back to Basket Books and Art.”
Given the fact that USPS moves in mysterious ways, works for Hot Bod are, at the time of this writing, still arriving in the mail.
Among the Houston artists in Hot Bod are photographer and visual artist Jermani May paired with Darius Carter, a.k.a. OGPopzIG; and Areli Navarro Magallón, Communications Coordinator for Art Is Bond. Carter has been especially busy this summer. His artwork was included in Boston Center for the Arts’ 27th Drawing Show Yušká: Uncoil and the Brooklyn Art Cave’s third annual art exhibition Where We From, and he regularly drops short, fast-cut, hip-hop soundtracked video montages on Instagram highlighting current gallery and museum shows in Houston and beyond.
May, Magallon and Carter
'Exquisite Corpse' artwork (photo by Chris Becker)
May, Carter, and Magallón’s contribution to Hot Bod is an explosive, psychedelic mini-mural, with the trio posed alongside Gertrude Stein and Alice Toklas’ poodle, the namesake and mascot of Basket Books and Art, looking cool and composed beneath a burning sky and bulbous cloudscape teeming with syncretic icons. Other standout artists to search for in the exhibit include Joseph Havel, Terry Suprean, Rabéa Ballin, Jeremy DePrez, Corey Sherrard, and Dana Frankfort.
Works from Hot Bod are available to purchase; 50 percent of each sale will be donated to support the Women’s Storybook Project of Texas, a non-profit program that helps incarcerated mothers stay connected to their children by recording stories and messages of love. Hot Bod is on view until Sept. 1, and a reception is scheduled for Saturday, Aug. 17, from 4-6 pm.
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For the Second Consecutive Year, Houston Youth Grab Gold at 'Brave New Voices' Competition
Aug. 13, 2024
POETRY CONTINUES TO be one of Houston’s most celebrated cultural exports, especially when it is brought to life onstage, with considerable theatrical flair, by the city’s premier youth poetry team, Meta4 Houston.
Established in 2007 by Shannon Buggs and Sixto Wagan, and later adopted in 2012 by Writers in the Schools, the Meta4 Houston Youth Writing Fellowship nurtures poets aged 13-19, helping them develop their writerly skills and a fearless style of “performance poetry” designed to wow audiences in large venues. (The 1970s-era poetry collective The Last Poets, Gil Scott-Heron, and Nikki Giovanni set the precedent for this style of poetry, which is both highly musical and intensely political in its delivery and content.)
Each year, the fellowship welcomes a new team of poets from across Houston to represent as Meta4 Houston and travel across the country to compete against other talented teams in poetry “slams.” Last year, Meta4 won the national championship in the prestigious Brave New Voices International Youth Poetry Slam Festival. It was the first-time first-place win for the team and, amazingly, on July 20, 2024, Meta4 won first place at the Brave New Voices slam for the second consecutive year.
This year’s Meta4 poets — Bela Kalra, Amaya Newsome, Cristina Perez-Ruiz, Mya Skelton, and returning fellows Samiyah Green and Adriana Winkelmayer — spent months preparing for the competition, guided by Houston Poet Laureate Emeritus, Emmanuel “Outspoken” Bean, and co-coach and Meta4 alumni, Alinda "Adam" Mac. Onstage at the historic Howard Theater in Washington, D.C., the members of Meta4 delivered poems addressing such hot-button topics as Texas climate change, gun violence, and fast fashion.
In a statement, WITS executive director Giuseppe Taurino expressed his joy at Meta4’s victory: “These powerful young artists have been hard at work honing their craft for months and are deserving of this great win. Their dedication to exploring, investigating, and genuinely interacting with the world around them is inspiring.”
On Sept. 28, at the WITS house located near the Menil Collection, leaders in the arts, current Meta4 members and alumni, and program supporters will gather to celebrate the second first-place Brave New Voices win, as the MetaForward campaign prepares the program for the 2025 team.
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