CHAPMAN & KIRBY, THE premier event destination in Houston’s East Village, is thrilled to announce the launch of its Spring Music Series, kicking off on Friday, April 12. Chapman & Kirby has become synonymous with top-tier events and unforgettable experiences, many attended by celebrities both local and worldwide. With concert ticket prices soaring to hundreds and even thousands of dollars in the last year, this eight-week music series promises to be a welcomed opportunity to engage with live music for free, showcasing an eclectic lineup of talented acts.
"At Chapman & Kirby, we are dedicated to curating exceptional experiences for our guests beyond great food and drinks. The Spring Music Series is a testament to our commitment to hospitality from every angle, and we’re excited to show off incredible talent" said Mazen Baltagi, co-owner of Chapman & Kirby.
In partnership with Gulf Coast Entertainment, the Spring Music Series lineup will feature a diverse array of musical talents. Each Friday night will offer a unique, interactive experience for guests, via music, food & beverage and local vendor pop-ups. Doors will open at 6pm, with performances starting promptly at 7pm. Purchase tickets here. The schedule includes:
May 24: Hybrid 7
Photo from @hybrid7music on Instagram
May 31: Danny Ray and the Atlantic Street Band
Photo from dannyrayatlanticstreetband.com
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This Weekend: Axiom Quartet Plays Contemporary-Classical Concert in the Heights — and Doesn't Play It Safe
Oct. 3, 2024
ONE CANNOT ACCUSE Houston’s Axiom Quartet of playing it safe. When it comes to exploring the outer limits of string quartet repertoire, engaging audiences who don’t normally attend classical music concerts, and putting in the collective time necessary to nail the gnarly idiosyncrasies of 20th- and 21st-century composers, Axiom continues to walk the walk as they talk the talk.
They’re a dapper bunch; relatively conservative in appearance. You’ll never see founding member cellist Patrick Moore, violist Katie Carrington, or violinists Timothy Peters and Matt Lammers rocking a rainbow mohawk or dressed in studded leather jackets onstage.
Instead, the quartet, who have weathered some recent changes in personnel, embraces an unpretentious, hip-to-be-square attitude, engaging their audiences in down-to-earth language while bringing great classical music to unexpected places, be it a pizza parlor, George Bush Intercontinental Airport, or literally underground at Cave Without a Name in the Texas Hill Country.
On Sunday, Oct. 6, Axiom opens its '24-'25 season above ground at Lambert Hall in the Heights with Risky(er) Business, an intense, historically informed concert that explores the sounds of dissent. The program includes Dimitri Shostakovich’s String Quartet No. 2 and the American premiere of Ukrainian-born composer Nikolai Roslavets’ recently discovered and unrecorded String Quartet No. 5.
Roslavets, a cantankerous modernist who nevertheless wholly embraced the experimental innovations of his time, composed this his final string quartet in the early 1940s, toward the end of his life, and in a decade when his music was officially repressed. Thanks to the efforts of dedicated musicologists and ensembles like Axiom, the extent of Roslavets’ repertoire and contributions to contemporary music are finally coming to light. (On Sunday, Axiom will unpack Roslavets’ biography and life under totalitarianism for the Lambert audience.)
Axiom describes Shostakovich’s second string quartet as “a now-celebrated masterpiece written with feverish frustration … giving voice to the Russian people through a transformed folks song.” Musicologists believe Shostakovich used the string quartet as a platform to communicate, albeit in cryptic, even contradictory language, his true feelings regarding Soviet censorship, oppression, and violence.
The second movement of his String Quartet No. 2 is quintessential Shostakovich, with its impassioned recitatives and romantic folk melodies ascending over inverted dominant seventh chords that sit undisturbed like pools of black water.
By the time the movement’s haunting and dissonant chorale appears, you can almost imagine what it must have been like to compose music under Stalin, a time when art was politicized to the point of absurdity, and Shostakovich found himself living a life of relative safety under totalitarian scrutiny.
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TO INFINITY AND beyond! Whimsical family fun awaits at Discovery Green where, beginning Oct. 13, a cinematic putt-putt course inspired by all things Pixar pops up on the Sarofim Picnic Lawn.
The Pixar Putt interactive mini-golf course includes 18 holes depicting the stories and characters from movies like Cars, Toy Story, Wall-E, Monsters Inc. and more. The experience is a collaboration between Junto Entertainment and TEG Life Like Touring, and comes to Houston on the heels of a sold-out run in Washington D.C. It was last in Houston in 2021; since then, new features have been added, including ones inspired by recent hit flicks Inside Out 2, Elemental and Turning Red. Kids and adults alike will enjoy posing for pics with the house from Up, navigating the holes of Swiss cheese from Ratatouille, and scoring a hole-in-one on Buzz Lightyear.
It's open seven days a week through Jan. 20 (but will be closed on Thanksgiving Day, Christmas Day and New Year's Day), and offers adults-only putt-putt on Thursday, Friday and Saturday evenings after 7pm. It is recommended to reserve a tee time by purchasing tickets online prior to arrival.
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